Pernilla Chair by Bruno Mathsson

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Armchair, called 'Pernilla', designed by Bruno Mathsson, designed in 1934, in linen and black leather upholstery, dating to the 1960's.
Details
Creator
Bruno Mathsson (Designer)
Place of Origin
Denmark
Date of Manufacture
1960's
Period
1960-1969
Other Characteristics
Made from bent plywood and solid birch, the seat frames of this design to which the linen is attached are not actually made of laminated wood but were executed from solid wood which has been carved into curved sections and then joined. Ref: 1000 chairs by Charlotte & Peter Fiell
Condition
Good. Very good. .
Wear
Wear consistent with age and use
Dimensions
38 in. H x 34 in. W x 27 in. D
97 cm H x 86 cm W x 69 cm D
Seat Height
16.5 in. (42 cm)
Dealer Location
Hudson, NY
Number of Items
1
Reference Number
0607258111191

About Bruno Mathsson (Designer) (Designer)

As the descendant of four generations of Swedish master cabinetmakers, Bruno Mathsson was born to design furniture. Mathsson was known as a methodical perfectionist who made usefulness the fundamental attribute of his works, yet he was also a ceaseless experimenter, who constantly searched for improvements in form, materials and methods of making.

     Like the Finnish designer Alvar Aalto, Mathsson was one of the first Scandinavians to embrace undulating, biomorphic forms in furniture. His early pieces such as the “Eva” and “Pernilla” series of chairs incorporate dramatically flowing bent beechwood frames, making them some of the most instantly recognizable works of 20th-century design. Mathsson was also a pioneer of ergonomics — he is said to have based the contours of his chairs on the impression his body made when he sat in a snow bank — and used supple, accommodating woven webbing for seats. His concern for practicality is shown by pieces such as the “Maria” table. An elegant design with gate legs and hinged leaves, the table measures more than nine feet long when fully extended, but folds down to just nine inches in thickness.

     From the mid-1940s through the 1950s, Mathsson focused on architecture, designing and building houses with insulated, triple-glazed window walls and heated floors — construction that flew in the face of traditional wood-clad Swedish residential design, and consequently met with some skepticism. He returned to furniture in the 1960s, employing an entirely new suite of materials: Stainless-steel framing and mesh seats feature in pieces like the “Jetson” chair; with the mathematician Piet Hein, Mathsson designed the “Super-Elliptical” table, which has a laminate top and four-part tubular steel legs that sprout like flower stems from a single base. Bruno Mathsson’s stylistic flexibility as a designer, as you will see from the works on these pages, make him a creator whose pieces meet all tastes and needs.

Arenskjold Antiques Art
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Arenskjold Antiques Art
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