Italian Red Velvet Settee, circa 1950

Sofa, red velvet, brass, Italy, 1950s. This sofa is an iconic example of Italian design from the fifties. Organic and sculptural the two-seat sofa is anything but minimalistic. Equi...

Settee, red fabric, wood, metal, Italy, circa 1960 This elegant Italian two-seat settee features a striking red color and can be placed in an entranceway or serve as a taste of deli...

Settee, velvet fabric, stained beech, France, 1930s This exquisite settee of France origin adopts stylistic motifs of the 19th century Victorian Era as can been seen in the ornate ...

Italian sofa, velvet, beech Italy, 1950s This dynamic Italian sofa shows strong resemblances with the designs of Federico Munari. The corpus features an a-symmetrical back that is h...

Sofa or settee, fabric, stained beech, walnut, Denmark, 1940s. This settee owes its elegancy to the way the corpus is built: a thin frame that rests on beautifully sculpted legs t...

Pierre Paulin for Artifort, two-seat sofa from the ABCD series, fabric Kvadrat Hallingdal 65 - Color 0563, wood, metal, The Netherlands, design 1968 Beautifully curved and iconic tw...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

A decadently designed Italian 1950's settee with a scalloped or petal shaped form and luxuriously upholstered channeled back tufting. The settee has been fully restored and newly reu...

A striking piece and a versatile scale. It has a big look but doesn't have a large footprint.

Beautiful mohair upholstered curved sofa with wooden legs. Perfect shape and size. In excellent condition, 1950s, Italy.

A vintage 1950s Italian settee on walnut legs. Completely restored and reupholstered in a wool blend nubby boucle. The legs have been refinished s...

Magnificent Italian mid-century sofa original from the 1950s. Equipped with the original stiletto metal feet painted in gold and brass tips, which have been...