Small French Settee in Green Velvet

A wonderfully proportioned small French settee from the Napoleon III period with a gracious curved back. This late 19th century settee has been stripped down to the original muslin l...

An outstanding 18th century Swedish sofa in green gingham upholstery with double piping. The painted frame features a serpentine back with carved floral motifs, gently flared arm res...

A stunning French 1920s Louis XV style settee upholstered in a rich red velvet upholstery with a creamy painted wood frame. The brass nailhead detailing adds an extra touch of sophis...

This elegant French Napoleon III settee is upholstered in a plush floral patterned gold velvet with tassel adornments and matching bullion fringe. The beautifully curved back and bui...

This elegant French 20th century settee in the Louis XV style, had a painted wooden frame in a delicate cream shade, harmonizing perfectly with the upholstery, a blend of pink flora...

An elegant French early 20th century small scale settee in the Napoleon III style. This French settee is a timeless piece of furniture that embodies classic elegance. Its gracious cu...

Ward Bennett Style Mid Century Green Velvet Sofa Settee This sofa measures: 61 wide x 29 deep x 30.5 inches high, with a seat height of ...

Magnificent Italian mid-century sofa original from the 1950s. Equipped with the original stiletto metal feet painted in gold and brass tips, which have been...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Gio Ponti style Italian tufted settee in newly upholstered taupe velvet. Measure: Seat depth 19".  

Settee or sofa, stained wood, leather, fabric, brass, Denmark, 1920s. Exceptional example of early Danish design with robust, bulky aesthetics. The frame of the settee is made of st...

This settee was designed by the iconic French design duo Guillerme et Chambron. The high quality and distinctive skeletal open frame construction features a beautifully crafted spind...