Art Deco Early 20th Century Vintage Striped Velvet Desk Accent Side Chair Green

This set of four Donghia mid-century modern side chairs, a testament to timeless design and quality craftsmanship. Each chair features a vibrant orange upholstered seat and backrest,...

A lovely pair of green Mid-Century Modern striped ceramic lamps with wood base. In very good condition. Dimensions: 7.5" diameter x 35.5" height.   

A vintage Emmanuel white wicker peacock accent chair with yellow seat cushion. A lovely wicker chair with a classic, vintage design. This accent chair features a woven wicker constru...

Presented by Le Shoppe Too is this set of 4 Daish teak dining side chairs in very good condition. Dimensions: 19.5"w x 21.5"d x 30"h Seat Height: 18" Seat Depth: 16"

A pair of vintage torchiere lamps. A beautiful pair of art deco lamps featuring a full chrome construction. These lamps have cone shaped torchie...

An opulent ornate pair of Chinese vases with intricate cloisonné detailing. Circa late 19th century to early 20th century. A jade green background with designs showcasing a blossoming flower, scrolls, and gourds. The baluster form body has a gilt bronze lip on the top and ring on the base. Adds an element of luxe and elegance to a space, especially an Art Deco décor...

A small, vintage Art Deco Danish single armchair made of hand carved Beechwood, detailed with brass nail heads in good condition. The back rest and the arms of the Scandinavian side ...

A lovely Art Deco style dining chair, made in Italy. The chair features a tall rounded back upholstered in a lush black velvet. On either side of the back, small metal rounded detail...

A lovely early 20th century shaker side chair. Made from oak with a serpentine ladder back. Features ripped stiles, spire finials and a rush seat. ...

A vintage pair of 20th century Art Deco French dresser chairs “in the taste of Jean Harlow”. The chairs are composed of polished mahogany and have been n...

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...

This pair of Art Deco period chairs in the style of Thonet features bentwood frames with their original red toned finish. Their padded cognac leather seats are finished with nailhead...