North American Side Chairs

A gorgeous Mission oak Arts & Crafts rocker By L. & J.G. Stickley USA, Circa 1900 Solid quarter sawn oak, with brown leather seat. Measures: 26.5"W x 29"D x 38.5"H. Seat height: ...

The Treble side or armchair by DeMuro Das has a curved profile supported by a three-legged wood base finished in Dark Espresso. A solid hardwood frame with European webbing and multi...

A beautiful pair of Arts & Crafts American oak fiddleback windsor chairs in great vintage condition. Chairs measure 17.5" in width, 19.5" in depth a...

1920s Arts & Crafts Mission Oak & Leather Lounge Chair by Stickley Maker: Stickley Country: United States Materials: Oak Wood, New Leather Upholstery Condition: Newly Reupholstere...

Solid and well-made pair of solid oak stools of unusual design. Elegant, with nice attention to detail. Newly upholstered in vintage green velvet.

Mackintosh Style High Backed Chair, with leather seat and nail-head details. Provenance: From a Christopher Street collection. Dealer: S138XX

A French set of eight wooden side chairs with rush seats from the early to mid 20th century. This set of chairs from France each feature curvy carved-wood ladder-style backs, and han...

American Arts & Crafts oak over-sized armchair Through tenon detailing and slatted back Currently upholstered in maroon leather Attributed to Gustav Stickley Circa 1900 Height 103cm ...

This is a lovely model, English circa 1830s and in good condition. Simple lines give this a smart understated look that could easily work for an interior with an upholstered squab cushion. Repainted at some point it has, rounded back with scroll end arms and squashed pad feet. Has an Industrial feel with the riverts and would make a really cool desk...

Pair of early 20th century inlaid chippendale style side chairs Outstanding inlay work featuring floral and fauna motifs on all sides The frames are carved with Chippendale ball and claw feet...

L and J.G. Stickley oak Arts & Crafts mission bench. Superior quality and construction with a solid oak frame and a loose cushioned seat. Measures: 51.75...

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...