Pair or Sculptural Italian Chairs

Elegant pair of rattan and bamboo chairs. Made in Italy. Very good vintage condition. Great scale.

Sculptural Arthur Umanoff chairs with signature rush back, slatted wood seat, and iron legs. Floating backrest. Look great from all angles. Good vintage condition. Five available. Pr...

Early sculptural chairs by Arthur Umanoff. Chairs with signature rush back, slatted wood seat, and iron legs. Floating backrest. Look great from all angles. Good vintage condition. T...

Gorgeous pair of suede scoop chairs. Metal frame with wrapped arms and suede seat. Classic design. Good vintage condition. Hard to find a matching pair. Extremely comfortable. Two s...

Sculptural pair of French wicker chairs. Circa 1960s. Featuring a woven white wicker frame and braided outline. Great unusual shape. Good vintage ...

Stunning chair by French designer Jacques Hitier. Black metal tube frame with maple seat, seat back and armrests. Chair features a beautiful wing loop armrest...

1960s vintage Italian Hollywood Regency gilt iron vanity chair. Petite Italian vanity side chair in gold gilt wrought iron, light weight and perfectl...

In leopard or cheetah velvet. Both in hand carved and peg constructed. Directoire frames and of slight Klismos form. Pretty well untouched (other than new leo...

Absolutely stunning chairs reupholstered in a beautiful camel mohair. Ready to go!! Dimensions: 30" W × 27" D × 32" H Styles: Postmodern Seat height: 18.0 in Number of seats: 2...

Over-upholstered comfortable rounded back and seat, raised on four tapered, out-splayed legs in black steel ending in brass sabots. Measures: Height 34.25”, width 30”, depth 30” ...

Elegant and cool sculptural lines make these chairs beautiful from all sides. There is a small tear on one chair (photographed). Other than that, they are in excellent condition. ...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...