Late 20th Century Side Chairs

Pair of armchairs model "Willow" designed by Charles Rennie Mackintosh for the "Willow Tea Room" in 1903 in Glasgow. Made of black lacquered ashwood structure and upholstered in leather. In its original configuration, the high, semicircular backrest of this solid wood throne served as a divider between the entrance and the tea room behind it. Complex series of lines and shapes reflect the style of Mackintosh. Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald...

This chair was made in the style of the Hill House Chair, designed by Charles Rennie Mackintosh for Cassina, during the 1980's. Originally a furnishing accessory for one of Mackintos...

The Willow 312 chair by Mackintosh is an iconic piece of furniture that embodies the Art Nouveau style. Designed by the renowned Scottish architect and designer Charles Rennie Mackin...

The Willow chair was originally designed in 1904 by architect Charles R. Macintosh for the Villa Hill House in Helensburgh, Scotland: Production rights were acquired by Cassina durin...

The Ladder-back chair - formally known as the ‘Hill House Chair’ - was created for the primary bedroom of a house Charles Rennie Mackintosh designed in 1903. With a towering linear s...

Designer: Charles Rennie Mackintosh. Manufacturer: Cassina. Period/Model: Mid-Century Modern. Specs: Ash Condition: This Charles Rennie Mackintosh 312...

The Ingram Mackintosh chairs for Cassina are a collection of high back chairs designed by Charles Rennie Mackintosh. These chairs were pro...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. Prices vary dependent on color and material of the piece. Originally a fur...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearless approach to the most challenging manufacturing processes. Originally a furnishing accessory for one of Mackintosh’s major design projects, Hill House in Helensburgh, near Glasgow, Scotland, from which its name derives. The linear, geometric form is evocative of the minimal, abstract lines of Japanese graphics, which confer symbolic and figurative symbolic value to the piece’s striking visual impact. This piece is seen by many critics as not only a chair but also a veritable treatise on the way space can be articulated. The tall back is defined by a succession of vertical lines that are topped with a grid of verticals and horizontals. Thanks to the mastery of the furnitire makers of Meda, in the Brianza area north of Milan, Cassina has re-issued the Hill House chair...

This set of four Charles Rennie Mackintosh model Ingram dining chairs embodies timeless elegance and a rich historical significance. Originally designed around 1910 for the White Dining Room...

Armchair model "Willow" designed by Charles Rennie Mackintosh for the "Willow Tea Room" in 1903 in Glasgow. Made of black lacquered ashwood structure and upholstered in leather. In its original configuration, the high, semicircular backrest of this solid wood throne served as a divider between the entrance and the tea room behind it. Complex series of lines and shapes reflect the style of Mackintosh. Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearless approach to the most challenging manufacturing processes. Originally a furnishing accessory for one of Mackintosh’s major design projects, Hill House in Helensburgh, near Glasgow, Scotland, from which its name derives. The linear, geometric form is evocative of the minimal, abstract lines of Japanese graphics, which confer symbolic and figurative symbolic value to the piece’s striking visual impact. This piece is seen by many critics as not only a chair but also a veritable treatise on the way space can be articulated. The tall back is defined by a succession of vertical lines that are topped with a grid of verticals and horizontals. Thanks to the mastery of the furnitire makers of Meda, in the Brianza area north of Milan, Cassina has re-issued the Hill House chair...