19th Century Italian Rococo Sofa

Carved and gilded firescreen.

Italian settee, circa 1810. Cabriole legs and back detailed with hand carved acanthus leaves. Original paint and gilt finish. Newly upholstered.

Vintage 1960s Green Sofa

Elegant, green mohair 19th century sofa with intricately carved detail and nailhead trim.  

Carved and gilded pair of 19th century armchairs.

19th century large candlestick with engravings in the wood (not sold with candle).

Italian 18th century rococo carved walnut sofa or canape Standing on four cabriole legs with stylized foliage a carved rocaille shaped apron with a padded seat. The padded back wi...

Magnificent French Rococo or late Baroque painted sofa decorated with a whimsical Rocaille carved frame. Encased in scroll designs reminiscent of Versailles grottos. Newly refurbishe...

19th century Swedish canapé sofa: beautifully carved, gray painted sofa adorned with exceptional foliate motif decoration. Newly upholstered with down-wrap cushion. Note: Regional d...

Louis XV style gilt hand carved wood canapé from the 19th century and with silk upholstery of the period. Origin: France. Period: 19th century, Na...

19th Century French Charles X Mahogany Sofa is the sublime expression of understated elegance! The style was born during a period of austerity when the court wished to downplay the ...

Austrian Biedermeier-period sofa crafted of mahogany veneer, upholstered in beige fabric with geometric motifs. This refined piece of furniture has rolled armrests decorated with twisted patterns and medallions, and large backrest highlighted with scrolls and palmette. The sofa rests on four square fluted legs. The Biedermeier period began in the states of the German Confederation and in the Austrian Empire in 1815 (Congress of Vienna) and ended in 1848 (March Revolution). The Biedermeier style referred mainly to the decorative arts, but also included sculpture and painting. In contrast to the opulence and heroism of Napoleon's Empire, the Biedermeier style promoted calm and simplicity. From 1830 onwards, it embodied a new, comfortable, bourgeois way of life. In furnishing, the emphasis was placed on the structure of the furniture that had robust and geometrical forms, softened by curves. The simplicity of the materials, mainly light woods, was compensated by the variety and exuberance of the forms the backrests of the seats were carved in fan shape, the armrests of the sofas rolled...