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Sofa in Original Black Horsehair with Leather Welts by Kaare Klint

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  • Kaare Klint for Rud Rasmussen Sofa in Original Cognac Leather
    By Rud Rasmussen, Kaare Klint
    Located in Waalwijk, NL
    Kaare Klint for Rud Rasmussen, sofa model '5011', leather, wood, Denmark, design 1935. Classic and elegant Scandinavian three-seat sofa by Kaare Klint designed in 1935. The high bac...
    Category

    Vintage 1930s Danish Scandinavian Modern Sofas

    Materials

    Leather, Wood

  • Kaare Klint Sofa Model 5011 in Original Cognac Leather Rud Rasmussen, Denmark
    By Kaare Klint, Rud Rasmussen
    Located in WIJCKEL, NL
    Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with decal manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair...
    Category

    Vintage 1940s Danish Scandinavian Modern Sofas

    Materials

    Leather, Mahogany

  • Kaare Klint Large Striped Sofa
    By Kaare Klint, Rud Rasmussen
    Located in London, GB
    Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...
    Category

    Vintage 1940s Danish Scandinavian Modern Sofas

    Materials

    Upholstery, Mahogany

  • Kaare Klint Model 6092 Sofa
    By Rud Rasmussen, Kaare Klint
    Located in London, GB
    A vintage model 6092 three to four seat sofa designed by Kaare Klint for Rud Rasmussen, 1940. The settee stands on eight tapered solid mahogany legs which give the design gracefulness and lightness despite its size. The sofa is upholstered in its original 'Greek Fabric...
    Category

    Vintage 1940s Danish Scandinavian Modern Sofas

    Materials

    Upholstery, Mahogany

  • Kaare Klint Sofa Model 6092 with Savak Wool
    By Kaare Klint, Rud Rasmussen
    Located in London, GB
    Three-seater sofa with eight tapering mahogany legs. Sides, seat and back upholstered with striped savak wool presumably in the last 10-20 years with natural leather pipings. Model 6...
    Category

    Vintage 1960s Danish Scandinavian Modern Sofas

    Materials

    Wool

  • Kaare Klint Sofa Model 5011 Original Cognac Leather for Rud Rasmussen Denmark
    By Kaare Klint, Rud Rasmussen
    Located in WIJCKEL, NL
    Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...
    Category

    Vintage 1970s Danish Scandinavian Modern Sofas

    Materials

    Leather, Ash

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