Florence Knoll Sofa

George Nelson Marshmallow sofa, model 5670 Manufactured by Herman Miller A great example of an iconic form.

An authentic Molar Group settee This example has been Re-Gel Coated.

Florence Knoll Square Table
manufactured by Knoll
Steel and Granite

Florence Knoll Dark Brown Button Tufted Bench Good original surface Manufacturers label present

2 Florence Knoll benches Original red upholstery. Labeled Sold individually, price is for 1 bench.

Great Modernage Sofa,reupholstered in chenille fabric

Two seat sofa model 66A designed by Florence Knoll and produced by Knoll International, circa 1960. This chair was manufactured only from 1958 to 1975. Newly re-upholstered with a ...

Originally made in the 1970s, this two-seater settee by Patrician Furniture Company takes after the iconic Florence Knoll sofa, with its combination of angular and soft lines. The se...

A mid century modern armless settee in the style of Florence Knoll. Chrome base with angled rear legs and tufted black vinyl upholstery.

Florence Knoll 3-seat sofa. Nice original condition.

A classic mid-century tufted sofa by Florence Knoll Sofa for Knoll International c.1950s, USA. It can easily be floated in the center of a room as the b...

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...