1930s Art Deco Italian Side Chair by Borsani, Atelier di Varedo New Upholstered

1920s Armchair by Gino Maggioni for Atelier Borsani Varedo new leather upholstered in veneered walnut, wax polished. Measures cm: H 37/62 x W 62 x D 44.

Majestic and elegant chest of drawers by Osvaldo Borsani produced in the Varedo Atelier of his father Gaetano Borsani , original in every part, with bakelite handles, 1930s Art Deco chest of drawers, commode , in burl walnut with mirror, polished to wax. Excellent condition. Measures cm: D 53, W 120, H 100. mirror cm: W 90 H 75. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...

Pair elegant Art Deco side chairs, in blond walnut wood by Osvaldo Borsani, for Atelier di Varedo, with spring seat and original leatherette upholstery in good condition.

Pair 1920s classic robust Art Deco Italian side chairs, in solid walnut restored new-upholstered. Seat with original springs. Product attributed to the "Atelier di Varedo" by Gaetano...

Early 20th century Art Nouveau elegant robust couple of side chairs in blond walnut, new upholstered, restored and polished to wax. Measures cm: H 45/100, W 40, D 43.

Code: FS45 Italian Mid-Century leatherette chairs Art Deco , Osvaldo Borsani attributed. Original red leather upholstery in good conditions. Measur...

Sculptural solid oak wooden Art Deco chair, in Haagse School style. The details, materials and nearly modernist appearance of the design are matching the Haagse School style. This s...

Oh I love the lines of this chair! Need new upholstery but the structure is solid. I have the matching sofa as well, check out my other listings. DIMENSIONS: 40ʺW × 34ʺD × 34ʺH STY...

Four Directoire style Italian chairs in Louis XVI fashion having new Scalamandre fabric. Each in a fine parcel gilt and paint decorated finish. The neoclassical design having carved ...

Warren McArthur chair, Warren McArthur Corporation, aluminum, leather, copper, rubber, USA, 1930s. Measures: 33½ H × 17 W × 21 D in Provenance: Collection of Stuart Parr Private Collection Warren McArthur Jr. was an innovator in Machine Age/ Art Deco furniture design. McArthur moved from Chicago to Los Angeles in 1929 to pursue metal furniture manufacturing; . he founded the Warren McArthur Corporation there in 1930. His furniture designs while unique were true to the Machine Age aesthetic. Machine Age design emphasized sleek forms inspired by automobiles, locomotives and airplanes. These objects were symbols of progress and modernity to the American consumer and industrial designers began constructing furniture in streamlined designs from steel, chrome and aluminum. Prior to the 1933 Chicago World’s Fair, known as the “Century of Progress Exhibition.” The fair’s tagline, “See America Streamlined,” and the abundance of metal furniture and home goods exhibited finally presented the concept of utilizing metal designs in the typical American household. The Museum of Modern Art followed suit in subsequent years with exhibitions like "Machine Art," (1934), and "Bauhaus 1919-1928" (1938), further exposing the American public to this design style. The Warren McArthur Corporation moved manufacturing to Rome, New York in 1933, just as metal furniture was gaining popularity; the company’s products were sold out of a showroom in New York City on Park Avenue. As a manufacturer, McArthur filed numerous patent designs which he utilized in advertisements to exhibit the innovations he developed. The company also proudly printed patent numbers on furniture...

Set of three side chairs by Jules Leleu in mahogany with gilt bronze sabots For an illustration of identical armchairs, see: Ensembles Mobiliers....

A pair of Art Deco side chairs. Mahogany legs and details.