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Milo Baughman Rosewood Case Sofa for Thayer Coggin

About

1970s Milo Baughman three-seat case sofa in Brazilian rosewood for Thayer Coggin with removable beige upholstered cushions.

Details

  • Period
  • Materials and techniques
  • Condition
    Excellent. A couple of tiny flea bites in the veneer only visible upon very close inspection otherwise the cushions, wood and fabric in excellent condition. .
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 28 in. x W 102 in. x D 35.5 in.

    H 71.12 cm x W 259.08 cm x D 90.17 cm

  • Seat height
    17 in. (43.18 cm)
  • Seller location
    Chicago, IL
  • Reference number
    LU92336877753

Shipping, Returns & Payment

  • Shipping

    Global Shipping Available

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  • Return Policy

    Returns can be initiated within 1 day of delivery by contacting 1stdibs.

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  • Online Payment Methods
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  • Item Invoice
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About Milo Baughman (Designer)

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

     Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

     Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.

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