Milo Baughman Shelter Sofa and Ottomans

Few friendships last a lifetime, but Milo Baughman (1923–2003) and Thayer Coggin (1922–2003) were united by their desire to craft American furniture with timeless heirloom appeal. Today vintage Thayer Coggin sofas, coffee tables, alluring chrome-framed chairs and other furnishings are recognized as masterpieces of good design and remain highly sought after by collectors near and far.

Having both served in the military during World War II and coming from humble backgrounds — Coggin from Denton, North Carolina, and Baughman from Goodland, Kansas (but raised in California) — they shared a passion for simple, modern design in home furnishings. In 1953, after showing his prescient designs to a number of companies (who turned him down) in the furniture center of High Point, North Carolina, Baughman decided to pay a last-minute visit to Coggin, who had just founded his eponymous brand. After a nearly hour-long meeting in which Coggin shot out of his seat exclaiming he had never seen anything like Baughman's work, the two men shook hands. They would be friends and collaborators for the next 50 years.

Coggin let Baughman pursue his singular vision, while the Thayer Coggin company benefited from its close relationship with the ever more prominent Baughman, the manufacturer’s lead designer and an architect of California modernism who also collaborated with Drexel Furniture, Glenn of California and others during his career.

In 1968, New York Times critic Rita Reif hailed Baughman’s work for its elegance and sophistication. “With this furniture,” she wrote of his new collection, Environment 70 produced by Thayer Coggin, “who needs a decorator?” Baughman’s name became synonymous with sleekly modern, comfortable furniture the whole family could enjoy — stylish seating upholstered with impossibly cozy bouclé fabric and dashing case pieces that reflected the venturesome sensibility associated with mid-century modernism as well as the functionality of the Bauhaus.

Although its founder died in 2003, Thayer Coggin remains an esteemed family-run brand in High Point. Each item of furniture is bench-made by a single craftsperson to ensure “continuity among related pieces,” the company says, and comes in a vast array of upholstery fabrics, wood and metal finishes. Like the friendship that defined it, Thayer Coggin furniture is built to last.

Find a unique collection of new and vintage Thayer Coggin furniture today on 1stDibs.

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.

As you will see from the furniture presented on 1stDibs, Milo Baughman’s designs for the likes of Drexel Furniture, Glenn of California and — for five decades — Thayer Coggin are ably employed as either the heart of a décor or its focal point.