Mahogany Stools

Classic mahogany and iron bar stools made by Vista of California, c.1950s. Great design. These very comfortable bar height stools feature mahogany wood slats for the seats and powd...

Beautiful and elegant as ever mid century vanity stool designed by Edward Wormely and produced by Dunbar in the 1950s. The caning is ori...

Berger mahogany stool by Charlotte Perriand, produced between 1950 and 1960

1950s Low Stools Leather Mahogany & Bronze by Octavio Vidales Mexico for Muebles Johrvy 17 h x 17.5 x 17.5 Preowned original unrestored fair vintage...

Curule stool from France made with a hand-carved solid mahogany base and original tufted leather upholstery. The upholstery features the original brass nailhead trim as well. We love...

This elegant stool, bench or ottoman was designed by Edward Wormley for the Dunbar Furniture Company in 1950, model number 5006A. This stool, based on the Ancient Roman Curule seat ...

Delightful Italian Stool from the second half of the 21st century made of Mahogany wood and gray velvet fabric, totally restored, elegance and design make it the star.

Elegant Swedish midcentury stool, made from mahogany in a strict form. Brown leather seat with heavy patina, cool cutout details.

A rare pair of "Thebes" stools by Edward Wormley for Dunbar of Berne, Indiana. They also work well as ottomans, or used together to form a bench. These stools have been fully restore...

These classic bar stools are made by Vista of California, c.1950s. These super comfortable bar height stools feature newly powder coated tubular steel frames with a thinner strip of steel tubing serving as as a footrest. The bar stools also feature recently oiled solid African mahogany wood slats for the seat. Vista of California was a seminal part of the California Modernism Design movement in the 50s and 60s. Vista of California was founded by Donald R. Bates and Jackson Gregory Jr. and featured legendary designers such as Don Knorr. The price is for the pair. Dimensions: 14” width x 20” depth x 33” height; seat height is 29“ Condition: Very good recently restored condition; professionally powder-coated with new African Mahogany slat seats. Minor flaws. Slight peeling/fading on one slat of a bar stool. Small nail hole visible. SEE PHOTOS. These bar stools would look tremendous in any Mid-Century Modern, post modern, Danish Modern, Brazilian modern, or contemporary environment. We currently have these paired in a room with a Knoll marble Tulip dining...

Great style and shape for this small stool of great character and shape, created in velvet with buttons.

“Berger” stool by Charlotte Perriand Mahogany Issued by Steph Simon, France circa 1956.

Pair of Vintage Sculpted Mahogany Tripod Stools by Smith & Watson Country: American Materials: Mahogany Maker: Smith & Watson Style: Antique Y...

Thebes stool / bench / footrest / footstool designed by Edward Wormley for Dunbar, 1950s. This example retains the original yellow and orange geometric design fabric. The finish on t...

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A beautifully restored pair of Dunbar Thebes stools designed by Edward Wormley.

Vintage berger stool - circa 1950s - solid single slab mahogany top - provenance private residence Paris, France The Berger stool, a timeless piece o...

A mahogany and leather upholstered stool, model 967, Svenskt Tenn. Brass nails, Length 44 cm, seat height ca 41 cm. This model was designed in 1938 and is here quoted as being...

Classic and elegant "Bermuda" bench by Edward Wormley for Dunbar ca' 1950's. This is the hard to find long version. Reupholstered in patinated leather with brass nail heads.

A classic "Knights" bench by Harvey Probber ca' 1950's. Mahogany slats with brass supports and an original suede cushion. In very good restored condition, cushion is not attached.

Pair of beautiful mahogany stools by David Rosén, with dark red leather seats. Possible to fold.

Rare set of three completely original, one owner, x base Thebes Stools designed by Edward Wormley and manufactured by Dunbar, 1950s. Signed with the Dunbar metal...

A mahogany and black leather, foldable "Egyptian" stool designed by Ole Wanscher and produced by P. Jeppesens Møbelfabrik.

This stunning pair of solid mahogany with silver gilt curule stools are of Hollywood Regency design and handsomely upholstered in a colorful striped moire. Dorothy Draper Henredon He...

Italian stool of very particular design, cotton and silk blend fabric, mahogany donut foot.

Frank Lloyd Wright, stools from price tower, Bartlesville, Oklahoma USA, 1956 original historic condition. Upholstery, copper, leather Measures: 18 W × ...

Rare pair of stools model 973 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Typical of Robsjohn-Gibbings' refined aesthetic, this stool is elegant and sexy, with graceful lines. The base is finished in black lacquer and topped with a seat upholstered in a ch...

Pair of delicious Italian stools, diagonal feet, wool fabric.

Midcentury delicious and elegant Italian stool unique design, brass mahogany feet of very pleasing design brass. Paolo Buffa attributed.

Pair of Edward Wormley stools model #5002. Manufactured by Dunbar. Original olive green leather.

Ejner Larsen (1917-1987), Aksel Bender Madsen (1916-2000). Solid mahogany side chair-height stool built by Danish master cabinetmaker Willy Beck. Original black leather is in fin...

Stylish set of three Harvey Probber style stools with original fabric. The dark finish is also original and shows only light wear.

These are classic bar stools made by Vista of California, c.1950s. Great design. These very comfortable bar height stools feature mahogany wood slats for the seats and powder coate...