21st Century and Contemporary Stools
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Period: 21st Century and Contemporary
Creator: Jacques Jarrige
Osselet Stools by Jacques Jarrige, 2006
Located in New York, NY
Sculpted stool typical of Jacques Jarrige work with its play on negative spaces. The stools are also very comfortable. The work of Jacques Jarrige is featured in Ideat, November 2011...
Category
French 21st Century and Contemporary Stools
Materials
Wood
Hand-Lacquered Sculpted Stools by Jacques Jarrige, 2006
Located in New York, NY
Sculpted stools made of recycled wood and finished with black lacquer.
Jacques Jarrige's iconic stool plays with positive and negative space. Each one i...
Category
French 21st Century and Contemporary Stools
Materials
Reclaimed Wood
Oak Stool by Jacques Jarrige "Osselet"
Located in New York, NY
Both sculpture and stool this piece by Jacques Jarrige is evocative and comfortable. Sculpted by hand in solid oak in the artist's Parisian studio the stool explores solid and voids ...
Category
French 21st Century and Contemporary Stools
Materials
Oak
Sculpture Bar Stool by Jacques Jarrige in Oak
Located in New York, NY
Sculpted bar stools in stained oak by Jacques Jarrige. Sculpture as much as functional stool this piece, arrested in movement, always remains capti...
Category
French 21st Century and Contemporary Stools
Materials
Oak
Hand Sculpted Bar Stools by Jacques Jarrige
Located in New York, NY
Pair of Hand sculpted bar stools in stained oak by Jacques Jarrige.
Can also be used as stands.
New pieces with 4 legs and with back available
A...
Category
French 21st Century and Contemporary Stools
Materials
Oak
Hand Sculpted stool or table by Jacques Jarrige
Located in New York, NY
Hand Sculpted stools in stained oak by Jacques Jarrige
Jacques Jarrige's captivating line turns these stools into works of art. Yet they are functional and sturdy
Jarrige's wor...
Category
French 21st Century and Contemporary Stools
Materials
Oak
Pair of Hand-Lacquered Sculpted Stools by Jacques Jarrige, 2006
Located in New York, NY
Sculpted stools made of recycled wood and finished with black lacquer.
Jacques Jarrige plays with positive and negative space in his sculpted work creating movement in its environme...
Category
French 21st Century and Contemporary Stools
Materials
Reclaimed Wood
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Pair of Hand-Lacquered Sculpted Stools by Jacques Jarrige, 2006
Located in New York, NY
Sculpture stool by Jacques Jarrige work with his characteristic play on positive and negative spaces. These stools are hand lacquered and are very comfortable. The work of Jacques Jarrige is featured in Elle 2014, NYC&Garden 2004 , AD 2015 , Harpers'Bazaar 2015, New York Times, 2015, Ideat, November 2011, World of Interiors (May and September 2011), Architectural Digest France (July-August, 2011) and Maison Francaise (September, 2011)
Jacques Jarrige was born into a Parisian family of art collectors and scientists in 1962. In his youth, growing up in neighborhood of St. Germain, he was struck by the intensity of the African sculptures on display in the many neighborhood galleries. How could they evoke such reaction deep inside; how could such seemingly simple objects emanate so much power? It was a question that stuck with him. As a young man, he enrolled in the department of architecture at the École Nationale Supérieure des Beaux-Arts but was frustrated in the narrow scope of the program. While he liked the functional aspects, he chafed at the monotony of the forms taught. Driven by the urge to make things with his hands, he abandoned the school in favor of making functional sculpted design objects. His interest in spatial relations led him to courageous explorations of void and volume in his art and design. The works of Moore and Calder, as well as the furniture of George Nakashima and Alexandre Noll, encouraged him to trust his intuition and reveal the forms that he sensed within his reach.
Instead of pursuing a decorative approach, he engaged in an ongoing dialogue with humble materials that he created — a practice he became known for — patiently shaping, carving, and altering them with simple hand tools. No master plan or elaborate drawing ever stood between him and the wood or metal that spoke to him, to his body. Each physical gesture informs the next, until the final piece emerges, embodying every gesture and impetus that brought the works into being, with a quiet meditative focus that the slow process of the craft demands.
In 1991, Jarrige was invited to join Frederic de Luca’s influential avant-garde gallery "En Attendant Les Barbares." Recognizing his exceptional sensibility, de Luca encouraged Jarrige to relentlessly pursue his own voice. He began to show regularly in Europe, and found a devoted audience. The work of this period was primarily sculptural furniture and design objects. He found success combining his direct and meticulous process with a growing vernacular of organic and flowing shapes. In 2010, he gained representation by Valerie Goodman...
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