George Mulhauser for Plycraft Scroll Arm Sultana Swivel Chair
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George Mulhauser for Plycraft Scroll Arm Sultana Swivel Chair
About the Item
- Creator:George Mulhauser (Designer)
- Dimensions:Height: 26.5 in (67.31 cm)Width: 22.5 in (57.15 cm)Depth: 20 in (50.8 cm)Seat Height: 16 in (40.64 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1965
- Condition:Wear consistent with age and use. Missing an enameled nailhead on one of the arms.
- Seller Location:Winter Park, FL
- Reference Number:Seller: RD1761stDibs: LU848614552061
George Mulhauser
Reflecting on George Mulhauser’s decades-long career conjures up images of him sitting in his well-known Mr. Chair — a luxurious reclining mid-century modern lounge chair for Plycraft made from a single sheet of plywood — and thinking to himself what mark he would leave on the world of furniture design.
Mulhauser studied industrial design at Pratt Institute in Brooklyn, New York, and graduated in 1953. His early designs were quite venturesome and landed him his first design job in the Manhattan studio of architect, journalist and designer George Nelson, who was the director of design for legendary Michigan furniture manufacturer Herman Miller.
In 1955, Mulhauser designed his now-immediately recognizable Coconut chair. Angular and visually striking, this alluring lounge chair, with its sloping molded plastic shell, was something of a prelude. Soon, Mulhauser would make the acquaintance of American furniture designer Paul McCobb. Mulhauser collaborated with McCobb on concepts for molded fiberglass chairs, and McCobb’s Origami chair for Directional would become a big hit on the mid-20th century market.
Mulhauser kept busy. In his home studio, he sketched out each furniture design on paper and then translated them to handmade scale models. Mulhauser engaged his neighbors and family in trying out his sophisticated seating and gathered feedback for improvements. He designed his Mr. Chair for Plycraft — an adjustable armchair with a seat of tufted leather that yielded a series — and collaborated with many other companies throughout his career, including Directional, Singer, Overman and the Design Institute of America. He also taught furniture design at Pratt Institute, while the Newark School of Fine and Industrial Arts brought him on as an instructor of 3-D design.
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