Vladimir Kagan Crescent Swivel Lounge Chairs from Chase Designed Home, Pair

The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.

Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.

Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”

A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.

Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on 1stDibs, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.

Steve Chase lived in and worked out of Palm Springs, California, but he created luxury spaces and furniture for projects that took shape all over the world. A consummate art collector and brilliant interior designer, Chase was involved in every aspect of the rooms he designed and attracted many high-profile clients, including Gerald and Betty Ford, Farrah Fawcett and Gene Hackman.

Chase was born in New Hampshire and attended the Rhode Island School of Design as well as the ArtCenter in Los Angeles. After completing his studies, he joined Arthur Elrod and Associates — a celebrated Palm Springs-based firm that created colorful interiors and furniture for a range of Hollywood stars and more during the height of the mid-century modern era. Chase worked with Elrod for more than a decade before establishing his own business in 1980.

Chase designed his furniture to meet the sensibilities and personalities of his clients, and his work ranged from the traditional to the tastefully unconventional. While he created sculptural brass side tables that boast striking brutalist forms, there were also understated chrome-framed coffee tables with fossil shell tops. For his seating, Chase’s palette ranged from bright pastels to modest earth tones, and his vintage sofas are known for their signature tufted-channel backrests and seats. The plush cushioning was most prevalent in his Monterey seating collection of chairs, sectionals and sofas manufactured by the firm Martin Brattrud Inc., which produced most of Chase's designs during the 1970s and '80s.

Chase supported a number of charitable organizations and strongly advocated for the Desert AIDS Project (DAP), a volunteer-led initiative to combat the HIV epidemic in Coachella Valley. He lent his design talents to improve their office space, and used his influence with celebrities to enlist their help on the project. Chase also joined the Contemporary Art Council Acquisitions Committee at the Palm Springs Art Museum and eventually bequeathed more than 130 works to the institution when he passed away in 1994.

In 1996, the DAP created the annual Steve Chase Humanitarian Awards to honor him. Today he is remembered for his humanitarian giving as often he is for his furniture designs and lively interiors.

On 1stDibs, explore an array of vintage Steve Chase chairs, tables and lighting.