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Pair of Office Chairs by Ettore Sottsass & Hans Von Klier, 1969

$8,064.23Asking Priceper set

About

Pair of office chairs designed by Ettore Sottsass and Hans Von Klier. Italy, Design Centre (Poltronova), 1969. An original set of the 'PROGRESS' swivel chairs, height-adjustable. Original yellow leatherette upholstery, frame in cast aluminium with casters. Great condition and super rare. Received the Italian SMAU Industrial Design Award in 1970. Literature: Domus from 1969, No. 480. Condition: Excellent vintage condition, small marks on the leather, plastic dust-cover on stem missing on one of the chairs. The original leatherette in almost new condition. Amazing!

Details

  • Creator
    Ettore Sottsass (Designer)
  • Dimensions
    Height: 31.5 in. (80 cm)Width: 19.69 in. (50 cm)Depth: 23.63 in. (60 cm)Seat Height: 17.72 in. (45 cm)
  • Sold As
    Set of 2
  • Style
    Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1969
  • Condition
    Wear consistent with age and use. Very good vintage condition, small marks on the leather, plastic dust-cover on stem missing on one of the chairs. The original leather in almost new condition. Amazing!
  • Seller Location
    Berlin, DE
  • Reference Number
    1stDibs: LU4616223117842

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Berlin, Germany
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Designer

Ettore Sottsass

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.
About the Seller
5 / 5
Located in Berlin, Germany
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Established in 2008
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