Ward Bennett High Back Executive Desk Chair in Aniline Leather, for Brickel 1978
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Ward Bennett High Back Executive Desk Chair in Aniline Leather, for Brickel 1978
About the Item
- Creator:Ward Bennett (Designer),Brickel Associates (Maker)
- Similar to:Knoll (Maker)
- Dimensions:Height: 41 in (104.14 cm)Width: 28 in (71.12 cm)Depth: 28 in (71.12 cm)Seat Height: 18 in (45.72 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Reupholstered. Wear consistent with age and use. Excellent condition with new aniline leather. Chrome base shows very minor signs of use - it is free of any pitting. Swivel and recline mechanisms work flawlessly. Chair is ready for installation. Retains original Brickel label.
- Seller Location:Framingham, MA
- Reference Number:Seller: Bennett cn1stDibs: LU5486223531152
Ward Bennett
Ward Bennett created everything from interiors and furniture to textiles and flatware. The unsung New York City-born modernist designer drew on the work of Le Corbusier and Auguste Rodin, studied art with the likes of Abstract Expressionist painter Hans Hofmann and counted legendary American luxury house Tiffany & Co. among his clients. For decades, Bennett created and filled spaces that were elegant, minimalist and deeply appealed to everyone who laid eyes on them.
Bennett left home and school at the young age of 13. He found work in Manhattan’s Garment District, and within a few years, Bennett traveled to Europe on behalf of a clothing manufacturer to gather ideas for modern garments. He lived abroad as a young man, and when he returned to New York, during the early 1940s, he assisted fashion entrepreneur Hattie Carnegie as a window dresser.
Bennett would also go on to share a sculpture studio with artist Louise Nevelson. He ventured into the world of jewelry design, creating necklaces, bracelets and other pieces with Richard Pousette-Dart. The Whitney Museum of American Art exhibited his sculptures, and it wouldn’t be long before the Museum of Modern Art included Bennett’s personal adornments with accessories by the likes of Alexander Calder, Harry Bertoia and Anni Albers in its 1946 “Modern Handmade Jewelry” show.
Bennett didn’t take the plunge into interior design work until he was 30 years old — his inaugural project was an apartment in Manhattan and his clients were family members. He had no formal training in architecture or decorating — and would ultimately design a mere handful of houses in his life — so for his inviting leather office chairs, marble-topped tables and sleek storage cabinets, Bennett relied only on what he learned in the fashion world. Soon, every time he redecorated his own home — an elaborate apartment comprising former maids’ quarters in New York City’s magnificent Dakota building — it earned splashy coverage in the newspapers.
Bennett’s client list eventually included David Rockefeller and Chase Manhattan Bank, Tiffany & Co., Sasaki, Italian industrialist Gianni Agnelli, and others, and during the 1970s he became in-house designer for Brickel Associates, a role that would endure for more than two decades. His work is on permanent view at the Museum of Modern Art and the Cooper-Hewitt National Design Museum in New York.
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