Peter Hvidt, Hans Wegner Wingback Chair
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Peter Hvidt, Hans Wegner Wingback Chair
About the Item
- Creator:Peter Hvidt (Maker),Hans J. Wegner (Maker)
- Dimensions:Height: 39.5 in (100.33 cm)Width: 32 in (81.28 cm)Depth: 31 in (78.74 cm)Seat Height: 16.5 in (41.91 cm)
- Style:Mid-Century Modern (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:Mid-20th Century
- Condition:Wear consistent with age and use. Minor losses. Minor fading. Stains and soiling to upholstery. Some finish wear and water stains to legs. Some areas of thread loss and loose piping.
- Seller Location:Norwalk, CT
- Reference Number:Seller: D1671stDibs: LU2916311846503
Hans J. Wegner
Best known for his chairs and seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.
Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.
In keeping with that tenet, several of Wegner’s best chair designs, seen in dealer listings below, have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.
Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs, for example the 1963 Shell chair, with its curved surfboard-shaped seat, bring a quietly sculptural presence to a room. Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.
Peter Hvidt
One half of the influential Danish furniture duo Hvidt and Mølgaard, architect and designer Peter Hvidt created shapely works in teak and rosewood that could be mass-produced and transported at a scale rarely seen before his time. Alongside his business partner, Aalborg-born designer Orla Mølgaard-Nielsen, the pair crafted furniture which stands today as a masterclass in the combination of elegance and practicality that is typical of Scandinavian modernism.
Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry, and graduated from the School of Arts and Crafts in Copenhagen. Hvidt established his own design firm in 1940 and taught for three years at his former school, during which he designed the teak Portex chair — Denmark’s first stacking chair (this design has alternatively been attributed to Hvidt’s partnership with Mølgaard-Nielsen over the years).
The exceptional collaboration between Hvidt and Mølgaard-Nielsen took shape in 1944. A student of pioneering Danish modernist designer and architect Kaare Klint and fellow graduate of the School of Arts and Crafts, Mølgaard brought his technical prowess and eye for practical design to the partnership. Together, for more than three decades, Hvidt and Mølgaard would produce over 250 furniture designs, a legacy that included the iconic AX chair.
A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair was designed in collaboration with manufacturer Fritz Hansen during the late 1940s. It features double-curved laminated wood in the seat and back, and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience. The AX went into production in 1950 and eventually gave way to a series that featured tables and other seating.
Hvidt’s proclivity for forward-looking design was typical of the venturesome furniture makers of the mid-century modern era. This extended to textures and materials, too — he believed that a tasteful combination of materials could add character and visual intrigue. With Mølgaard-Nielsen, Hvidt designed streamlined coffee tables, rosewood chairs upholstered with sumptuous black leather and teak side tables with cane shelves (teak was a sought-after material for designers at the time).
The duo’s work with celebrated manufacturers Fritz Hansen, France & Søn and Søborg Møbelfabrik has been a part of exhibitions at New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.
On 1stDibs, find vintage Peter Hvidt seating, tables and case pieces.
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