Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

19th Century Eastern European Shepherds Coffer or Chest

More From This SellerView All
  • Rare Late Medieval 16th Century German Wrought Iron Oak Chest or Stollentruhe
    Located in Dallas, TX
    We have the pleasure to present a rare late medieval 16th century German wrought iron oak chest or Stollentruhe. This is an early 16th century, ci...
    Category

    Antique 16th Century German Gothic Blanket Chests

    Materials

    Wrought Iron

  • 17th Century English Carved Oak Dowry Chest
    Located in Dallas, TX
    Presenting an absolutely gorgeous and historic 17th century English carved oak dowry chest. Made of solid oak in England,...
    Category

    Antique Early 17th Century English Jacobean Blanket Chests

    Materials

    Oak

  • 18C Irish George II Mahogany Silver Chest on Exceptional Carved Stand
    Located in Dallas, TX
    PRESENTING AN ‘ABOLUTELY STUNNING’ PIECE OF IRISH FURNITURE HISTORY, namely, an 18C Irish George II Mahogany Silver Chest on the most amazing and EXCEPTIONAL Carved Stand. Made circa 1745, by an obviously ‘top quality’ Irish Georgian furniture...
    Category

    Antique Mid-18th Century Irish George II Blanket Chests

    Materials

    Mahogany

  • 19C English Naval Captain's Sea Chest
    Located in Dallas, TX
    PRESENTING a GORGEOUS 19C English Naval Captain’s Sea Chest. Made in Britain, probably England, circa 1851-55. Early Victorian Era. Made of...
    Category

    Antique Mid-19th Century English Early Victorian Blanket Chests

    Materials

    Oak

  • Rare 19th Century English Tunbridgeware Hair Pin or Slide
    Located in Dallas, TX
    Presenting an absolutely gorgeous and extremely unique and rare 19th century British Tunbridgeware hair pin/bobbin or slide. This slide is unlike any of it’s kind we have seen before…. it is a very rare survivor ! From circa 1860–1880. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a very elegant lady in the mid to late 19th century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface.[1][2][4] Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.
    Category

    Antique Late 19th Century English High Victorian Collectible Jewelry

    Materials

    Satinwood, Walnut

  • 19th Century Anglo-Indian Spice or Tea Caddy with Silver Mounts
    Located in Dallas, TX
    PRESENTING A GORGEOUS 19C Anglo Indian Rosewood Caddy with Silver Mounts. Really nice and unusual, 19th Century Anglo-Indian Spice or Tea Caddy, from cir...
    Category

    Antique Late 19th Century Indian Anglo Raj Tea Caddies

    Materials

    Sterling Silver

You May Also Like
  • 19th Century Hand Painted Chest or Floor Trunk
    Located in Praha, CZ
    Wooden hand painted chest with folk pattern. Saved from an old mill in the former Czechoslovakia.
    Category

    Antique Late 19th Century Czech Blanket Chests

    Materials

    Wood

  • 19th Century Antique Moroccan Hand Painted Wood Berber Chest
    Located in New York, NY
    This 19th century Moroccan Berber chest is a masterpiece of craftsmanship. Made from pine wood, it features beautifully painted sides and top, showcasing intricate patterns and vibra...
    Category

    Antique 19th Century Moroccan Folk Art Painted Furniture

    Materials

    Pine

  • 19th Century Blanket Chest in Original Comb Painted Surface
    Located in Los Angeles, CA
    This early finely paint decorated tall blanket chest is in fine condition. The tall lift top chest has two top false drawers and all original drawer...
    Category

    Antique Early 19th Century American Country Blanket Chests

    Materials

    Wood

  • Early 18th Century Wedding Blanket Chest
    Located in Albignasego, IT
    Tyrolean wedding chest Measurements: H.80 – L.156 – P.55 Period: early 18th century Origin: Tyrol Essence: Fir Large Tyrolean chest, in fir wood, with shaped lowering. The front is...
    Category

    Antique Early 18th Century Italian Folk Art Blanket Chests

    Materials

    Fir

  • Mid 18th Century Floral Painted Blanket Chest
    Located in Albignasego, IT
    Tyrolean painted chest H. 81 – W. 147 – P. 69 Ancient Tyrolean chest, entirely built in fir wood. The surface has been decorated with a dark brown background color, semi-covering, ...
    Category

    Antique Mid-18th Century Austrian Folk Art Blanket Chests

    Materials

    Fir

  • 18th Century Oak Chest with Wrought Iron
    Located in Albignasego, IT
    Chest-Coffer in Oak H.47 cm – L.71 cm – D.45 cm Antique chest-chest in oak wood. The lid has the classic "donkey's back" shape; wrought iron elements that served as reinforcement t...
    Category

    Antique 1730s Italian Folk Art Blanket Chests

    Materials

    Oak

Recently Viewed

View All