Bookcase Totem Collezione Ollo Alchimia by Alessandro Guerriero, Italy

"Spiritello" plexiglass sculpture designed by Alessandro Guerriero for Alchimia, circa 1990. Signed Alchimia, A. Guerriero. Biography In 1976 Alessandro and Adriana Guerriero establ...

Original Credenzas from the Redesign Collection designed by Alessandro Guerriero for the Alchimia Group, 1990. Vintage furniture decorated with acrylic. Hand painted. Exhibited at the show "Alessandro Guerriero: al diavolo Alchimia!", Must, 2017 Lecce. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mind-set of architects. Visual Alphabets, Redesign, Trivial Design, cosmetics and sentimental robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Cabinet Ollo Collection, glossy polyester lacquered wood panels, glossy white and black lacquered top and bottom discs, matte black lacquered interior, crystal shelves. Publication: A. Mendini e A. Guerriero, "Collezione Ollo", Catalogo Museo Alchimia 1988; Raffaella Poletti, Atelier Mendini "Una utopia visiva", Fabbri Editori 1992. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Acrylic painting on canvas by Alessandro Guerriero for Alchimia in 2019. Signed and original label. Biography: In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Ir_reale table tribute to Reale table of Carlo Mollino, 1946 designed and produced by Alchimia in 2010. The table has a base in FLOU plexiglass and crystal top. Limited edition of nine copies in different colors. Signed and numbered. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Elegant Acubens table of the collection I Soli designed by Alessandro Guerriero and produced by Studio Alchimia in 1988. Biography In 1976 Alessandro and Adriana Guerriero establish...

Memphis Design 'Colonna Ollo' Cabinet by Alessandro Mendini, Italy 1980s. This cabinet is impressive due to its shape, graphical design, and size. The cab...

A curved sculptural bookcase and room divider with carved wood totem supports. Paolo Ferrari is an internationally recognized designer and founder of Studio Paolo Ferrari...

Sculptural volumes and architectural lines are the defining features of this unique media cabinet that doubles as a bookcase. Fit for a modern home, this statement-making piece has a steel frame finished in a vibrant cobalt-blue and is marked by a dynamic combination of geometric volumes. The A-shaped base supports a circular frame divided in a series of shelves against the bright blue backdrop. A central yellow shelf, two white wooden panels with two 50-Watt stereo digital audio speakers...

A functional and fun large scale sculpture designed and hand painted by Alessandro Guerrerio for Studio Alchimia. This impressive piece was present...

Laveer Totem by Oeuffice Edition: 8 + 2AP 2011 Dimensions: 105 x 105 x 220 cm Materials: Hand curved steel with a mint-turquoise soft touch finish The Laveer Totem is a formal exploration of simple engineering constructions. The changing geometrical language of every module creates a varying rhythm and provides plenty of possibility to showcase objects throughout its various voids and niches. Oeuffice was founded in 2011 as a collaboration between Nicolas Bellavance-Lecompte and Jakub Zak. After many years of a parallel life between Canada, Berlin and Milan, they united to form Oeuffice, a new research laboratory with a focus on developing innovative objects of limited edition. Their work reflects a common ideal of creating objects inspired by visions of a contemporary utopia and has been exhibited internationally with various galleries including Phillips de Pury...

Centina totem shelves by Oeuffice Edition: 8 + 2AP 2011 Dimensions: 86 x 86 x 205 cm Materials: Solid handcrafted stained oak The Centina totem re...