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Franco Albini Italian Midcentury Wood Bookcase LB7 for Poggi, 1950s

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Franco Albini Italian Midcentury Dark Wood Sideboard for Poggi, 1950s
By Franco Albini, Poggi
Located in Reggio Emilia, IT
Italian Mid-Century Modern design credenza sideboard designed by Franco Albini and produced by Poggi Pavia from 1958, four doors with sliding shelves and a pull-out shelf / tray, sol...
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Antique 1850s Italian Mid-Century Modern Sideboards

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Franco Albini for Poggi Italian Cicognino Wood Side Table 1950s
By Franco Albini, Poggi
Located in Reggio Emilia, IT
Italian midcentury wood side table model TN6 Cicognino designed by Franco Albini and produced by Poggi Pavia in 1953, production Italy 1960s Bibliography: Domus 312 (November 1955),...
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Vintage 1950s Italian Mid-Century Modern Side Tables

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Franco Albini for Poggi Italian Midcdentury Dark Wood Sideboard, 1960s
By Franco Albini, Poggi
Located in Reggio Emilia, IT
Italian midcentury modern design little credenza sideboard "MB48" model designed by Franco Albini and produced by Poggi with stained walnut wood and brass details, made in Italy 1960...
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Angelo Mangiarotti Italian Wood Bookcases Shelves Cavalletto Model for Agapecasa
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A furnishing system made entirely of wood, designed by Angelo Mangiarotti in 1953. Its distinctive feature is a trestle in the shape of an upturned “V”, which means it is superimposable by means of a siply gravity joint, and whose special perimeter section can accomodate bookshelves on which closed containers...
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Grete Jalk Scandinavian Mid-Century Modern Design Teak Bookcases, 1950s
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Scandinavian Mid-Century Modern design teak bookcases set designed by Grete Jalk and produced by P. Jeppesens Møbelfabrik, movable vertical partition...
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Poul Hundevad Scandinavian Dark Wood Bookcase for Hundevad Møbelfabrik, 1960s
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Located in Reggio Emilia, IT
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Franco Albini LB7 bookcase for Poggi Pavia, Italy, 1950s
By Poggi, Franco Albini
Located in Chiavari, Liguria
The LB7 bookshelf, designed by Franco Albini in 1957, is crafted from die-cast aluminum, rosewood, and brass. This iconic piece, a symbol of Italian design, has been imitated countle...
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Franco Albini LB7 BOOKCASE, 1950S
By Franco Albini, Poggi
Located in Baranzate, IT
LB7 bookcase made of teak wood and composed of two modules and eight shelves. Designed by Franco Albini for Poggi in the 1950s.
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Franco Albini LB7 Bookcase in Teak Wood by Poggi Pavia 1950s Italy
By Franco Albini, Poggi
Located in Montecatini Terme, IT
LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...
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Midcentury LB7 modular bookcase designed by Franco Albini for Poggi, Italy 1957
By Franco Albini, Poggi
Located in Piacenza, Italy
Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...
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Mid-Century Modern "Lb7" Bookcase by Franco Albini for Poggi, Italy, 1950s
By Franco Albini
Located in Brussels, BE
Mid-Century Modern "Lb7" Bookcase by Franco Albini for Poggi, Italy, 1950s Height is adjustable
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Franco Albini Rosewood Mid-Century Modern “LB7” Modular Bookcase for Poggi, 1957
By Poggi, Franco Albini
Located in Vicenza, IT
LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...
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