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Period William & Mary Black and Gilt Japanned Cabinet on Stand

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  • Fine William & Mary Chinoiserie Cabinet on Giltwood Stand
    Located in London, GB
    A William and Mary Gilt-Japanned Chinoiserie cabinet on gilt wood stand. The cabinet depicting Court and rural scenes, with pierced and engraved strap...
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    Antique 1690s English William and Mary Cabinets

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  • Fine Flemish Baroque Late 17th Century Tortoiseshell Cabinet on Stand
    Located in London, GB
    A rare and of fine quality, late XVII Century Flemish European ormolu mounted ebony and red tortoiseshell cabinet on stand, of architect...
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    Antique 17th Century Dutch Baroque Cabinets

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    Tortoise Shell, Ebony, Pine

  • Venetian Secretaire Cabinet in Hand Painted Yellow Lacquer
    Located in London, GB
    A late 19th Century Venetian secretaire cabinet in a striking yellow lacquer, with beautifully hand painted decoration throughout. With four drawer...
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    Antique 1880s Italian Cabinets

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    Brass

  • English 19th Century Gun Cabinet in the Romanesque Manner
    Located in London, GB
    A large English solid oak gun cabinet in the Romanesque manner, with a glazed (clear glass) lockable upper cabinet for eight guns, with a lockable dra...
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    Antique 1860s English High Victorian Cabinets

    Materials

    Glass, Oak

  • George III Scarlet Gilt Japanned Desk
    Located in London, GB
    A English George III scarlet gilt-japanned desk; superbly, later decorated with rich gilt chinoiserie on a scarlet lacquered background, the fall-front open...
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    Antique Early 1800s English George III Desks

    Materials

    Brass

  • Fine George III Chippendale Period Gilt Wood Mirror
    Located in London, GB
    A fine English George III carved and water gilded Chippendale period mirror. The gilding is dry scraped, with foliage, pagodas and surmounted by a hoho bird...
    Category

    Antique 1770s English George III Wall Mirrors

    Materials

    Mirror, Giltwood

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  • William & Mary Seaweed Marquetry Inlaid Cabinet by Gerrit Jensen (c. 1634-1715)
    By Gerrit Jensen
    Located in Amsterdam, NL
    An Anglo-Dutch William and Mary Seaweed Marquetry cabinet on stand by Gerrit Jensen, Royal Cabinetmaker England, circa 1690 The cabinet is c...
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    Antique Late 17th Century British William and Mary Cabinets

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  • Chinese Lacquered and Gilt Cabinet
    Located in Marcq-en-Barœul, Hauts-de-France
    This cabinet is made of green lacquered wood with gilt bronze and chinese life sceenes. The inside part is made of eglomised mirrors. This is a French work, circa 1940.
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  • Late 19thc Gilt and Paint Decorated Tansu Cabinet 8 Drawers 2 Doors
    Located in Port Jervis, NY
    Fabulous late 19thc Tansu cabinet with 8 drawers of various sizes behind two doors that have the lock & key. Gilt and Paint Decorated on all sides except back and bottom. Fronts of a...
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    Antique 1890s Chinese Chinese Chippendale Cabinets

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  • 1900s French Metal and Wooden Apothecary Cabinet
    Located in High Point, NC
    A metal and wooden cabinet from 1900s France. This high-standing cabinet boasts a warm color palette, featuring black metal legs, a rich umber outer...
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    20th Century French Country Apothecary Cabinets

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  • Tall Spanish Antique Embossed Leather Cabinet, Raised on Custom Iron Base
    Located in Atlanta, GA
    A Spanish embossed leather cabinet from the early 20th century, on newer custom iron base. This antique cabinet from Spain is beautifully wrap...
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    Early 20th Century Spanish Cabinets

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  • Blackened Copper and Carved Wood Relief 'Iron Secret Cabinet'
    By Rooms Studio
    Located in New York, NY
    This elegant wood, metal, and copper cabinet adorned with blackened copper accents is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking blackened copper relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...
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    21st Century and Contemporary Georgian Cabinets

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    Copper

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