20th Century Cabinets
Period: 20th Century
Color: Red
Stunning Pair of Red Lacquer Commodes by Michael Taylor for Baker, circa 1960
Located in Atlanta, GA
These magnificent commodes are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready.
...
Category
American Mid-Century Modern Vintage 20th Century Cabinets
Materials
Walnut
Pair of Fine Red Lacquer Chests with Gilt Motif
Located in Greenwich, CT
A pair of fine red lacquer chests with hand-painted gold gilt motif, beautiful color, form and lines.
Category
Chinese Chinoiserie 20th Century Cabinets
Materials
Lacquer
Beautiful Red Lacquered Cabinet by James Mont
By James Mont
Located in New York, NY
Beautiful red lacquered cabinet by James Mont.
The cabinet has been Newly refinished in a stunning high gloss red lacquer accented by gold leaf pulls.
The ...
Category
American Mid-Century Modern Vintage 20th Century Cabinets
Materials
Gold Leaf
Hollywood Regency Red & Brass Asian Chinoiserie Small Cabinet or End Table
Located in Philadelphia, PA
A handsome and well made vintage cabinet from the 1960's. It features an Asian Modern motif with plenty of storage.
Category
American Chinoiserie Vintage 20th Century Cabinets
Materials
Brass
Raymond Loewy DF-2000 Cabinet/Dresser
Located in West Palm Beach, FL
A wonderful design by an important designer.
The cabinet is in great condition including the original feet.
Category
French Vintage 20th Century Cabinets
Materials
Aluminum
Pair of Vintage Asian Red Lacquer Cabinets
Located in Locust Valley, NY
A pair of tall vintage Asian red lacquer cabinets with gold branch and leaf design and square brass hardware. Two small center drawers are flanked by...
Category
20th Century Cabinets
Materials
Wood
French Vitrine in Red Silk Moiré and Green Marble
Located in Waalwijk, NL
Vitrine, marble, brass, glass, silk moiré, France, 1950s.
This is a refined midcentury brass vitrine of exquisite craftsmanship, presumably made for the high-end boutique French ...
Category
French Mid-Century Modern Vintage 20th Century Cabinets
Materials
Marble, Brass
Late Qing Dynasty Period Chinese Red Lacquer Compound Cabinet with Raised Panels
Located in Yonkers, NY
A Chinese late Qing Dynasty period red lacquered compound cabinet from the early 20th century, with raised panels and carved friezes. Crea...
Category
Chinese 20th Century Cabinets
Materials
Wood
Chinese Ming Dynasty Style Red Lacquered Console Cabinet with Doors and Drawers
Located in Yonkers, NY
An antique Chinese Ming Dynasty style red lacquered console cabinet from the early 20th century, with five drawers and double doors. Born in ...
Category
Chinese Ming 20th Century Cabinets
Materials
Wood
Italian Futurist Cabitet in Red Wood and Applications
Located in Milano, IT
Eccentric Italian futurist showcase cabinet from the 20's. The cabinet has applications inserted later, such as skull-shaped designs and designs on the sides of the cabinet in the sh...
Category
Italian Futurist Vintage 20th Century Cabinets
Materials
Wood
Tommi Parzinger Credenza for Parzinger Originals
Located in San Francisco, CA
Tommi Parzinger design Chinese red lacquer credenza with polished brass mounted hardware.
High quality construction and attention to details, newly lacquered in the original color ...
Category
American Mid-Century Modern Vintage 20th Century Cabinets
Materials
Brass
Chinese Qing Dynasty Style Red Lacquer Cabinet with Gilt Chinoiserie Decor
Located in Yonkers, NY
A Chinese Qing Dynasty style red lacquer cabinet from the 20th century, with gilded chinoiserie motifs and carved apron. Created in China during the Qing Dynasty, this cabinet featur...
Category
Chinese Qing 20th Century Cabinets
Materials
Wood
Pair of Mahogany Obelisks with Shelves
Located in Mt Kisco, NY
A pair of mahogany obelisks on platforms. One side opens to reveal graduated shelves.
Category
Unknown 20th Century Cabinets
Materials
Mahogany
Chinese Early 20th Century Red Lacquer Three-Section Stackable Cabinet
Located in Yonkers, NY
A Chinese red lacquered three-section stackable cabinet from the early 20th century, with polychrome lacquer. Created in China during the early years of the 20th century, this red la...
Category
Chinese 20th Century Cabinets
Materials
Wood
Red Lacquer Cabinet with Gilt Motif
Located in Greenwich, CT
Red lacquer cabinet with gilt motif with inside two drawers shelf and bottom space. We carry fine quality furniture with elegant finished and has been appea...
Category
Chinese Chinoiserie Antique 20th Century Cabinets
Materials
Lacquer
Chinese 1930s Red Lacquered Apothecary Cabinet with 32 Drawers and Carved Panels
Located in Yonkers, NY
A Chinese red lacquered apothecary-inspired cabinet from the early 20th century, with 32 drawers and petite double doors. Created in China durin...
Category
Chinese 20th Century Cabinets
Materials
Wood
Bar Cabinet by Frigerio
By Frigerio
Located in New York, NY
Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior.
Makers label affixed to back.
Category
Italian Modern Vintage 20th Century Cabinets
Materials
Glass, Lacquer
1980s German Abstract Design Heart Shaped Iron TV Cabinet
Located in Marbella, ES
1980s German abstract design heart shaped iron TV cabinet.
Category
German 20th Century Cabinets
Materials
Iron
19th-20th Century Marquetry and Gilt-Bronze Mounted, François Linke Atrributed
Located in Los Angeles, CA
A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900.
Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873.
He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger.
By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century.
In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau.
Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand:
"The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed".
Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet.
This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946
Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...
Category
French Louis XV Antique 20th Century Cabinets
Materials
Bronze
Early Art Deco Sezession Cabinet
Located in Pompano Beach, FL
Sezession Cabinet – early Art Deco cabinet upper section with vitrine, mirror and marble. Lower section with 2 large doors and interior shelves. Manuf...
Category
20th Century Cabinets
Important French China Vitrine Cabinet by Michel Dufet
By Michel Dufet
Located in Oakland, CA
Fresh from a most recent French auction, with a fresh newly refinished on all surfaces. This stunning modernist style cabinet has all the earmarks of an important design. Nice two-to...
Category
French Art Deco Vintage 20th Century Cabinets
Materials
Glass, Wood
Fine Red Lacquer Armoire with Gilt Motif
Located in Greenwich, CT
An elegant red lacquer armoire, red lacquer front with fine hand-painted muted gold gilt motif, black lacquered sides, brass fitting. Beautiful col...
Category
Chinese Ming Vintage 20th Century Cabinets
Materials
Lacquer
Armoire by Louis Sue & Andre Mare
By Andre Mare, Louis Sue
Located in Pompano Beach, FL
2 door Art Deco solid mahogany and burl armoire w/3 drawers inside by Louis Sue (1875-1968) & Andre Mare (1885-1932)
Category
Vintage 20th Century Cabinets
Materials
Burl, Mahogany
Cabinet Royal Set of Two in Solid Mahogany and Red Genuine Sharkskin
Located in Paris, FR
Cabinet Galuchat rouge set of two in solid mahogany and red
genuine sharkskin, double handles nickel-plated copper,
with interior shelves with central cushion in fabric and
interior lights. Exceptional piece.
Set of two cabinets...
Category
French 20th Century Cabinets
Materials
Mahogany
Rare Aldo Tura Red Goatskin Dry Bar/Cabinet
By Aldo Tura
Located in Brussels, BE
Rare bar by Aldo Tura in red goatskin, Italy, 1960.
Category
Italian Mid-Century Modern Vintage 20th Century Cabinets
Materials
Goatskin, Wood
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