Pier Luigi Colli Oak Buffet Mirror Sideboard, Midcentury, Italy, 1940s-1950s

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four do...

This is a very unusual piece that was part of a seven-piece bedroom set. It is in very good original condition. It is labeled Gouffe on the back. Has original key. It is believed to have been designed by Royere while he worked for Gouffe. Royere later used this square pattern to create other cabinets. This is an early example. More information or photos available upon request. Price is for this item only. In 1931, aged 29, Jean Royère (1902-1981) resigned from a comfortable position in the import-export trade in order to set up business as an interior designer. He learnt his new trade in the cabinetmaking workshops of the Faubourg Saint-Antoine in Paris. In 1934, he signed the new layout of the Brasserie Carlton on the Champs Elysées and found immediate success. This was the beginning of an international career that was to last until the early 1970s. A key figure of the Avant-garde in the 1950s, Royère tackled all kinds of decoration work and opened branches in the Near East and Latin America. Among his patrons were King Farouk, King Hussein of Jordan, and the Shah of Iran, who were captivated by his freedom of creation and his elegance and entrusted him with the layout of their palaces. Royère pioneered an original style combining bright colors, organic forms and precious materials within a wide range of imaginative accomplishments. In 1980, he left France for the United States, where he lived until his death. Jean Royere (July 3, 1902-14 May 1981) was from a privileged social class and lived a pleasant childhood in the French capital. He started to worked at Le Havre in the import and export business from its 24 to its 29 years. This profession guarantee him a good lifestyle. However, this young man left this comfortable career and choose a more risky path: the designer career, field in which he was a passionate and talented artist. He started as an employee in a furniture factory boulevard Diderot, located in the Faubourg Saint Antoine, epicenter of Parisian furniture makers. In 1933, he received a prestigious order from the Carlton on the Champs Elysees. His career took off and a year later, he was in charge of the contemporary furniture section at Pierre Gouffé...

Paolo Buffa bar cabinet with gold star detailing. Incredible cabinet in perfect condition. This is a rare piece and not many of this model were made.   

Marbro Murano Seguso opaline white blue midcentury monumental lamp, 1950s-1960s This is a beautiful opaline blue and gold very large lamp. Incredible...

Monumental Danish rosewood sideboard highboard midcentury, 1960s This sideboard is very good condition as seen from the photos. The two left and two right doors are opened by a key ...

Royere Gouffe cerused oak daybed deco, France, 1930s-1940s midcentury Amazing rare pair of daybeds designed by Royere and made by Maison Gouffe. ...

Taste and Italian flavor for this typical sideboard of Pier Luigi Colli. Classic in his design but very refined in the process of working of the materials. The sideboard consists of...

Elegant sideboard in ash and mahogany with magnificent legs that come out from the base. The same furniture is available the table, eight chairs, and the unique cabinet bar. Wanting ...

Large sideboard is entirely realized in oak wood, with four drawers on each side (for a total of eight drawers) and a central storage unit. Designed by Pier Luigi Colli Italian Manufacture from 1938 ca. To reconstruct the story of Pier Luigi Colli, we must take a leap back to the 19th century in Turin, a multifaceted city, in some ways controversial due to its austere and sometimes introverted character, but at the core of a creative drive: and if it is primarily known for its automobile industry, there was a time when Turin was at the height of fame also in the field of furniture and embroidery, thanks to the presence of two entrepreneurial realities. On the one hand there was the MIRAM (Italian Hand-Made Embroidery Manufacture) founded by Pietro Colli in 1850, specializing in gobelin fabrics and bandera embroideries. His daughter Teresa traveled between Italy and Paris to discover the latest trends in fabrics and embroidery, while her younger brother, Pier Luigi Colli (1895-1968), the star of this story, joined the company in 1921. Distinguishing himself for his enterprising personality and willing to continue his father's profession, Pier Luigi was known to his contemporaries as "the artist interior designer", and had no doubts about his future: he moved temporarily to Paris, where he attended L'Ecole des Beaux Arts Décoratives. The other great Turin manufacturer to be mentioned is Martinotti, founded in 1931 by Giuseppe Martinotti and supplier of fine furnishings for the Savoy court, pieces which were characterized by a typically 19th century eclectic style, generally made of exotic woods featuring ivory and tortoiseshell inlays: at that time, Martinotti represented the top of internationality, having even participated in the 1875 Philadelphia exhibition! The two brands' fate merged in 1902, a decisive year for Turin which, hosting the International Exhibition of Modern Decorative Art, became the cradle of the spread of the Liberty style in Italy. In the exhibition, Martinotti exhibited an elegant interior, in which all the textile parts, from the curtains to the seat upholstery, was made by Colli. It was in 1926 that Colli (MIRAM) finally acquired Martinotti, founding a laboratory where, from the savoir faire of the two companies, complete pieces of furniture were created and tailor-made for the customer, from the structure to its upholstery. Meanwhile, Pier Luigi Colli was living in Paris, the ideal place to be in 1925, when the International Exhibition of Modern Decorative and Industrial Arts brought him closer to the work of one of his putative fathers, the great French cabinet maker Jacques-Émile Ruhlmann (Paris, 1879 - 1933). Thanks to Paris, Pier Luigi intertwined contacts with the international beau monde, he started to import Lalique glass from France, while the Colli's clientele expanded and special commissions arrived, such as the creation of the Royal Train of the Savoy family made with Fiat, or the lecture hall in the University of Turin. The success of a brand is also measured by its openness to establishing collaborations with the great designers of its time, in the case of Colli resulting in important creative partnerships: from Gio Ponti, who relied on the brand for his Richard Ginori project in Rome, up to Carlo Mollino, who created with Colli the handrails of the RAI (national TV) auditorium and the windows of the Teatro Regio in Turin; also in Turin, the Morbelli architects collaborated with Colli for the furnishings of the RAI skyscraper, and the architects Gabetti Isola for the interiors of the Stock Exchange in Turin. In the 40s and 50s, having opened a branch in Rome, Colli was at the peak of productivity. The embroidery and textile section continued to be one of its strengths, keeping alive the relations with France and its great masters: among the inspirations were the geometric shapes of the fabrics of Ruhlmann's interiors, or the tactile carpets made by designer Mariod Dorn. And so, another Colli trademark become the "textured carpet...

Italian mid century cabinet in the manner of Paolo Buffa. Maple, birds eye maple, carved details, patinated brass details.

This is a splendid wardrobe designed by Pierluigi Colli and crafted in Turin in the first half of the 1900s. The attention to detail is remarkable, with a plethora of exquisite featu...

Mid-Century Italian Sideboard by Pier Luigi Colli, Ash Wood, 1940s