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Tibetan Hand-Painted Low Cabinet

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  • English Oak Wood Clothing Cabinet
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  • Chinese Lattice Kitchedn Cabinet with Restoration
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    Chinese furniture is known for its practicality, beauty, and sturdy construction. This storage cabinet features lattice doors and a lacquer finish that has aged to a beautiful patina...
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  • Burmese Temple Manuscript Cabinet with Original Patina
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  • Butterfly Style Storage Cabinet with Carved Spandrels
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    A Chinese Ming-style wooden butterfly cabinet from the 19th century, with carved spandrels, drawers, doors and dark oxblood patina. This elegant coffer, called a butterfly cabinet, f...
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  • Meander I2 Side Table / Low Cabinet by Bram Kerkhofs
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    Meander I2 side table / low cabinet by Bram Kerkhofs. Dimensions: D 51 x H 73cm. Materials: Stainless steel, aluminum, elastic rope (natural rubber, polyester). Other dimensions are available. Meander is the latest fruit of an ongoing research that started from the system ‘Coil’ in which round elastic rope is connected to a stable material, resulting in screens from parallel stretched strings. Using flat elastic band with different widths and playing with interspacing, meander allows to create semi-transparent screens with a lot of variations. Out of its system Meander can be implemented exterior, as architectural screens packing buildings or dividing space, or interior, as room dividing screens. But above all it allows to create sensual objects that play with shape, transparency, motion and optical confusion. The possibilities are endless! Bram Kerkhofs (° 1977) is a Belgian furniture designer looking for new forms and methods to challenge the functionality and flexibility of a furniture piece. Educated as a goldsmith he is fascinated by connections, hinges, knots and joints, and especially by the functional opportunities they generate. His work is filled with mathematical principles resulting in intelligible algorithms to make them understandable. He draws particular attention to the relationship between construction and material, bringing simplicity into complexity, with a lasting alertness to the final function. This time-intensive design and development process results in innovative construction systems automatically expressing his signature. Many of his designs must be seen in a bigger picture, as parts to a whole, in which he explores the endless possibilities for links, combinations and variations. Bram wants to clarify complex constructions and gives the consumer and the spectator insight into his thinking process. That is why his work partly revolves around people, as the manipulators...
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  • Antique Hand Painted Tibetan Cabinet with Drawers and Display Shelf
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