Chest of Drawer Cetonia Model by Alessandro Mendini for Alchimia, Italy

Freccia table in lacquered wood and silkscreened metal base designed by Alessandro Mendini for Gruppo Alchimia, about 2000. Exhibited at the show Alchimismo, Frigoriferi Milanesi, Mi...

Cabinet Ollo Collection, glossy polyester lacquered wood panels, glossy white and black lacquered top and bottom discs, matte black lacquered interior, crystal shelves. Publication: A. Mendini e A. Guerriero, "Collezione Ollo", Catalogo Museo Alchimia 1988; Raffaella Poletti, Atelier Mendini "Una utopia visiva", Fabbri Editori 1992. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

"Spiritello" plexiglass sculpture designed by Alessandro Guerriero for Alchimia, circa 1990. Signed Alchimia, A. Guerriero. Biography In 1976 Alessandro and Adriana Guerriero establ...

Original Credenzas from the Redesign Collection designed by Alessandro Guerriero for the Alchimia Group, 1990. Vintage furniture decorated with acrylic. Hand painted. Exhibited at the show "Alessandro Guerriero: al diavolo Alchimia!", Must, 2017 Lecce. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mind-set of architects. Visual Alphabets, Redesign, Trivial Design, cosmetics and sentimental robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Vase model Simira filigree glass and solid glass base molded to the wheel, circa 1987- 1988. Signed. Biography Alessandro Mendini was born in Milan in 1931. After a long experience...

Ceramic sculpture of the 12 columns collection designed by Alessandro Mendini and produced by Superego Editions. Limited edition of 10 pieces. Signed and numbered. Biography Ales...

Zanotta Edizioni Cetonia Chest of Drawers in Wood by Alessandro Mendini Signed original. Lacquered wood frame with hand-painted polychrome decoration. Handles in natural anodised ...

Zanotta Edizioni Calamobio Chest of Drawers in Wood by Alessandro Mendini Nine originals numbered and signed. Frame and feet in wood, polychrome inlay. Handles in red anodised alu...

Cristallo cupboard designed by Alessandro Mendini for BD Barcelona is part of the 2019 collection. The character of Mendini's design is marked by wh...

Italian modern modular chest of drawer 4964 by Olaf Von Bohr for Kartell, 1970s Modular chest of drawers mod. 4964 with rectangular base with rounded corners, in white plastic. The s...

Refinement and style characterize this chest of drawers, a very charismatic design makes the commode truly elegant. In true mid-century Italian style. A fine and distinct taste. The...

Refinement and style characterize this chest of drawers, a very charismatic design makes the commode truly elegant. In true mid-century Italian style. The chest of drawers has a v...