Italian Mid-Century Wood and Shagreen Credenza or Commode After Paolo Buffa

Italian credenza or commode attributed to Paolo Buffa. Chic Italian midcentury six-drawer commode, chest or credenza in the style of Gio Ponti, Osvaldo Borsani and Ico Parisi. This gorgeous ebonized and burled wood commode...

Italian Modern credenza after Ico Parisi. This stunning Italian Mid-Century Modern credenza, commode or console table has shapely legs, six drawers with brass hardware, a black opali...

Italian Modern credenza attributed to Paolo Buffa. This stunning Italian Mid-Century organic Modern Cerused piece can be used as a credenza, co...

Italian Modern bar / cabinet with brass hardware attributed to Paolo Buffa. This stunning Italian midcentury commode, cabinet, credenza, ba...

Italian Mid-Century Cabinet By Paolo Buffa. This versatile chest is a perfect as a bedside chest or where space is limited. Great workmanship. Paolo Buffa was born in 1903, in Milan,...

Italian Cabinet or Bar Attributed to Vittorio Dassi, Made in Milan. Italian Mid-Century Modern bar, cabinet, credenza, cupboard or bookcase featuring gorgeous sculpted wood doors divided...

Paolo Buffa's wooden credenzas from the 1950s are exceptional examples of his talent as a designer and craftsman in the field of furniture and interior design. During this period, Pa...

A fine Italian credenza attributed to Paolo Buffa, 1950s.   

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th centu...

In the 1950s, Paolo Buffa designed this stylish Italian mid-century sideboard. There is a great deal of elegance in this piece. The sinuous lines of the sides and the refined combination of different shades of wood make this piece special. It's also noteworthy that the brass parts were cast in lost wax (it almost appears that they were made by a goldsmith). Very well-kept conditions, completely restored, ready to use. The large sideboard, the dining table, and the chairs are also available, currently undergoing restoration. Literature "I mobili di Paolo...

Italian Paolo Buffa credenza of the 1940s, in massive walnut and veneer rosewood chessboard. Shaped top mirror, black lacquered glass top, four doors with internal shelf, original gi...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...