Commodes and Chests of Drawers

- 3 drawers - Made in Denmark - The item was carefully refurbished.

An absolutely stunning modern ten-drawer chest by Baker, circa 1980. Evidently from a limited production series, as research can find no examples like it. Stout, exquisitely crafted ...

Mid-century style burl dressers with four drawers each with polished brass turned knobs with a hand rubbed warm brown finish with subtle distressing and raised on square tapered legs...

Merton Gershun for American of Martinsville mid century walnut and brass buffet with hutch The buffet and hutch measure: 48 wide x 15.75 deep x 60.25 inches high All pieces of ...

An exceptional Modern Regency style three-drawer nightstand or bachelor chest By Barbara Barry for Baker Furniture USA, Circa 1990s Dark mahogany, with original nickel hardware. ...

Retro Narrow Chest of Drawers Restored midcentury Art Deco 1950 Cabinet Small Features: Single-door model with ten glass shelves Original handle and...

A Combination of Burled Walnut with wild cherry make this chest of drawers a stunning addition to any room. The brass pulls have a engine turned design...

"Pucci - A Renaissance in Fashion" by Shirley Kennedy, 1st edition, printed in Japan in 1991. All excellent near perfect condition. Cloth cover. First white page...

A simple eye catching designed cabinet that can be used in any room situation. It features oak and maple construction with plenty of storage space.

Pair, Baker Collector’s Edition French Country Style 3 Drawer Commode Each finely constructed French country style chest features 3 drawers with p...

American black walnut hand-crafted nightstands or end tables in a midcentury modernist design. These are constructed from the finest American black walnut with the inner dovetailed j...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...