Early 1900s Commodes and Chests of Drawers

A French Louis XV style ormolu-mounted and end-cut floral and fruit marquetry two-drawer serpentine-shaped bombé commode by François Linke (1855-1946), Index number 720, the mounts d...

Exceptional French Louis XVI Style Gilt-Bronze Mounted, Mahogany and Fruitwood Marquetry and Parquetry, Armorial Commode with original Marble Top, aft...

A Superb 19th century French Louis XVI style gilt- bronze mahogany, kingwood and fruitwood marquetry armorial commode with Sycamore Marquetry and magn...

A very fine French 19th-20th century Louis XV style burr walnut, kingwood and satinwood floral marquetry and finely chased ormolu-mounted two-drawer bombé commode, attributed to Fran...

19th Century French Bombe Louis XV Style Marble Top Commode with Floral Inlays, Professionally refinished 19th century French Bombe Louis XV style marble-top commode with floral inl...

A very fine Louis XVI style gilt-bronze mounted Marquetry Commode By Henry Dasson After a model by Jean-Henri Riesener, supplied to Marie-Antoinette for Versailles. Constructed i...

A very fine Louis XVI style gilt-bronze mounted marquetry commode After the design by Jean-Henri Riesener (1734-1806) After a model by Jean-Henri Riesener, supplied to Princess Adélaïde for Versailles. Constructed from amaranth with veneered tulipwood "en semelle" and dressed with a profusion of finely cast & hand-chased ormolu mounts, with a Sarrancolin marble platform, atop a breakfront frieze, set with three drawers, over a unified central panel divided in two drawers depicting a 'bois de bout' marquetry floral still life within a gilt-bronze frame, flanked by panels of quarter-cut tulipwood with ormolu handles suspended from lover's knot bows, with conforming matched panels to the concave sides. The apron is mounted with a finely cast central scroll, and the canted corners dressed with cascading ormolu foliate mounts terminating in lion's paw feet. French, circa 1910 Madame Adélaïde's commode The design for this commode was one of the earliest royal commissions awarded to Jean-Henri Riesener (1734-1806), the master craftsman who was later appointed cabinetmaker to Louis XVI and his court in 1774. The commode, with its architectural features, extensive ormolu mounts and immaculate marquetry work, was ordered in 1776 and delivered that same year for Madame Adélaïde (1732-1800), the daughter of king Louis XV and Marie Leszczynska. The commode was later moved to château de Bellevue when it was given to her by king Louis XVI. The famous commode was later part of the Earl of Carnarvon's collection, who also bought furniture made for Napoleon. Carnarvon's wife, Lady Elmina Wombwell, was the child of Alfred de Rotschild, which may explain the post-revolutionary history of the royal commode. In 2018, the Riesener commode was bought for the nation for the sum of 3.5m€ and returned to Versailles.

The Louis XVI style is characterized by a yearn to return to antiquity. Greatly influenced by the first ever large scale archaeological excavations ever done, Pompeii in 1748 and the...

One of only three of its kind, this commode was crafted by the famed and highly celebrated ébéniste François Linke. Blending the stunning marquetry of the Louis XV and XVI styles with the elegance of Art Nouveau, the commode exemplifies Linke's skilled craftsmanship. Inspired by François Alix's iconic "Meuble Soleil" design, Linke's creation showcases his signature genius in every aspect of the commode's construction. The superior quality of the breche marble shelves and top, marquetry and ormolu that form the undulating body of the cabinet serve as a testament to Linke’s unwavering dedication to perfection. The craftsman spared no expense, investing significant time and utilizing only the finest materials to create this work of art. Tens of thousands of hand-wrought chisel marks are visible within the ormolu frieze of scrolling foliage. The breathtaking marquetry landscape on the front is perhaps the commode's greatest feature, depicting a radiant sun bursting from behind trees, elegantly enhanced by Linke's unmistakable signature on the lower right molding and on the inside of the inner cabinets. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses in Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. As one of the most masterful furniture designers and bronziers of his time, François Alix would only supply designs and bronze pieces to the most skilled of his contemporaries. Linke chose this unique design personally and only produced three versions of this remarkable piece, with the first one crafted in 1910. A similar commode is housed in the Royal Collection Trust...

A fine quality French Louis XVI style bombe shaped commode with its original Breccia marble top, a serpentine moulded edge. Exquisite floral marquetry to the two drawers and sides, g...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, attributed to François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

Very fine Louis XVI style ormolu-mounted marquetry commode French, Early 20th Century Height 95cm, width 162cm, depth 59cm After an important model by Jean-Henri Riesener (French, 1734-1806), a highly renowned ebeniste of great standing, this exceptional commode is of outstanding quality, and fully embodies the quality of craftsmanship and great artistic style of the Louis XVI period and the original piece, which is currently housed in the Chateau de Fontainebleau, France. Riesener was a leading exponent and supplier of pieces in the Neoclassical Louis XVI style, and this design conveys the regal feel and presence of his manner, most notably in terms of the beautiful marquetry decorative panel to the front. It consists of a white marble top, above front facing drawers, with a lower door opening; curved sides that are extensively decorated with intricate geometric designs, and a central panel that depicts, in inlay...