Solid Teak Johannes Aasbjerg Danish Modern Credenza with Tambour Doors
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Solid Teak Johannes Aasbjerg Danish Modern Credenza with Tambour Doors

About

Mid-Century Modern Johannes Aasbjerg solid teak sideboard credenza. Made from 100% solid teak (except for the interior shelves), this sideboard is a perfect marriage of design and function, featuring exquisite craftsmanship, a finished back and lots of storage. Similar to the works of Arne Vodder, the bank of five drawers has sculpted bow tie elliptical pulls. The staggered, recessed channels in the tambour doors are unlike anything we've seen before. This style provides an added sense of dimension and texture. Slide the tambour doors open to reveal two large storage cabinets, each with a single, adjustable / removable shelf. Shut the doors all the way to conceal everything or achieve another look by leaving the doors partially open around the center drawers. The construction quality on this piece is unmatched. The dovetail joined old growth teak planks are an eye-pleasing, elegant compliment to the steadfast design. This illusive credenza came to us in already excellent condition but our restoration team still spent many hours mitigating the minor imperfections. We’re certain you find a more sublime representation of this sideboard anywhere.

Details

  • Date of Manufacture
    circa 1950s
  • Period
  • Materials and Techniques
  • Condition
  • Condition Details
    Outstanding vintage condition. Professionally detailed. Only very minor imperfections remain
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 32 in. x W 81 in. x D 19.75 in.H 81.28 cm x W 205.74 cm x D 50.17 cm
  • Seller Location
    Saint Petersburg, FL
  • Reference Number
    LU2255315795792
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About Arne Vodder (Designer)

Along with Vernor Panton, Arne Vodder was a leading light of what might be called the “second generation” of forward-thinking 20th-century Danish furniture designers — those who, following in the footsteps of Hans Wegner, Arne Jacobsen, Finn Juhl and others, first applied the skills, traditions and philosophical tenets of Danish craftsmanship to a modern furniture idiom.

     As a graduate student in architecture trained by Finn Juhl, Vodder made his mark in the 1960s, when modern design had gained wide acceptance, particularly in the business world. Accordingly, many of Vodder’s chairs are quiet in form — projecting an air of sturdiness and strength, rather than avant-garde styling.

     Vodder’s aesthetic flair was very pronounced in his cabinets and storage pieces — sideboards, bookcases, credenzas and buffets. In such pieces, Vodder liked to play with asymmetry. His bookcases often have a seemingly random array of variously sized shelves and nooks. A typical Vodder sideboard might have four sections, each different in purpose and look: an open stack of vertical shelves, and other cupboards covered with sliding panels in contrasting colored laminates and wood veneers. As you will see from the works on these pages, Arne Vodder had a sense of what kind of design was appropriate for which space: sobriety in the boardroom; playfulness at home.

About the Seller

4.9 / 5
Vetted
Platinum
1stdibs seller since 2016
Located in Saint Petersburg, FL
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