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PH Dressing Table, Natural Oak Veneer, White Ashwood Drawers

$5,061.74per item


Luxurious as well as practical and functional, the PH dressing table is the perfect place to take a moment for oneself every day. Timelessly elegant, the Poul Henningsen designed Dressing Table will sit harmoniously in every bedroom and is set to become a design Classic of the future. Designed in 1919, the PH dressing table is the first piece of furniture designed by Poul Henningsen. The body rests on the edges of eight legs and makes a clear design distinction between what is carrying and what is being carried. It is a beauty floating or dancing on high heels, like a ballerina dancing, yet at any time standing strong and solid on her many legs. The PH Dressing Table comes in three different wooden finishing: natural oak, black oak or mahogany. The clearly visible knobs in brass adds a strong touch to the fragile, elegant frame with four drawers. The PH dressing table is true craftsmanship in every detail.

Customization Options

Available in natural oak, black oak and mahogany.


  • Creator
    Poul Henningsen (Designer)
  • Dimensions
    Height: 31.89 in. (81 cm)Width: 40.95 in. (104 cm)Depth: 21.66 in. (55 cm)
  • Style
    Bauhaus (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Production Type
    New & Custom(Current Production)
  • Condition
  • Seller Location
    Copenhagen, DK
  • Reference Number
    Seller: PH204 0 103 60011stDibs: LU5455221497792

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Copenhagen, Denmark
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About Poul Henningsen (Designer)

The name Poul Henningsen is synonymous with the best and most innovative modern Scandinavian lighting. The Danish designer created a signature vocabulary of fixtures with tiered and layered shades in sculptural arrangements that are at once naturalistic and geometric. 

Henningsen grew up in a town on the outskirts of Copenhagen and studied architecture at the Technical University of Denmark. He would become a noted art critic, journalist and screenwriter, but his first love was lighting design. Henningsen’s childhood home was illuminated by oil lamps. When his family switched to electrified lighting, he was alarmed and repelled by the harsh glare cast by an incandescent bulb, and in his late teens he began conducting quasi-scientific experiments to measure which materials and methods best diffused or reflected light to give it a warm brightness. His work came to the attention of the lighting-fixtures firm Louis Poulsen, which sponsored the development of a prototype lamp. The design won a gold medal at the 1925 Paris Expositions Internationales des Arts Decóratifs et Industriels Modernes — from which the term Art Deco derives. The lamp, whose three-part shade is said to be inspired by the arrangement of a dinner plate atop a soup bowl atop a teacup, became the basis for Henningsen’s most successful design, the PH 4/3 desk lamp.

All told, Henningsen would design some 100 lighting fixtures in his career. Some of his most notable creations are hanging lamps, which include the “Septima” (1929), a pendant composed of seven graduated frosted-glass layers; the “Spiral” (1942), made of a single ribbon of enameled aluminum; and the “Artichoke” (1958), whose 70 glass or metal fins in a staggered and graduated arrangement on a central steel frame resemble those of its namesake. The last is likely Henningsen’s masterwork and an icon of mid-20th-century design. Like all Henningsen lighting designs, it is striking, sculptural and — thanks to his insistence on the primacy of the quality of the light cast — superbly functional.

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Located in Copenhagen, Denmark
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