Bruno Paul Sideboard from the 1928 New York Line

According to Japanese folklore the fox, or kitsune, can assume human form to protect and trick humble country folk. Dating to the 18th century, this fox protects its own pup. Carved ...

Paul Poiret's career began in the Belle Epoque, when fashion was defined by imprisoning corsets, restrictive tailoring, and ethereal colors. Opening his own fashion house in 1904, he...

Great grandson of the famous writer Victor Hugo, the painter Jean Hugo (1894-1984) was in the thick of the Paris art scene between the wars. A member of the avant garde, he was a friend of Picasso, Cocteau and Colette and was associated with the Neo Romantics. His small gouaches on paper were avidly collected by Dr. Albert Barnes, and can be seen today in the Barnes Collection in Philadelphia. Hugo's most desirable work -- landscapes, interior scenes, set designs -- date from the mid 1920s to the late 1930s. This whimsical painting, signed and dated 1927, is set in a curtained, classical interior furnished with Victorian lighting fixtures...

This iconic woodblock print by Chikanobu Toyohara (1838-1912), titled 'A Mirror of Japanese Nobility,' depicts Emperor Meiji, his consort, and the heir t...

This 1930s Italian bench is so over-scaled, and monumental in appearance, that it seems to have been made for the large room it was destined, rather than the comfort of a typical sitter. As such, it would function equally well as a low side table or a high cocktail table. We’ll allow the buyer to determine its use. The designer was Pierluigi Colli, and the fabricator Martinotti, the Turin furniture and interior decorating firm that was established in 1831, and exhibited at the 1876 Philadelphia Centennial Exhibition and the 1904 St Louis World’s Fair. Colli’s family owned a textile company that supplied Martinotti with upholstery fabrics, suggesting nepotism had something to do with his being hired as the firm's director in 1926. Nevertheless, he proved himself worthy as a designer and a businessman. Having studied in Paris at the Ecole des Arts Decoratifs, he befriended leading French designers, and arranged for Martinotti to retail Lalique glass and Jean Perzel lighting. In addition, the quality of their work, and Colli’s dedication to the modern design movement, prompted Carlo Mollino, Gio Ponti, and Gino Levi-Montalcini, among others, to have Martinotti fabricate some of their furniture. Colli’s claim to fame, however, is his own work as a designer, and his ability to master the vocabularies of every trend from Art Deco to midcentury modern. During the Great Depression, when nearly every nation floundered economically, fascist Italy...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

The chique bookcase – étagère– was designed by Bruno Paul ( 1847-1968 ) in circa 1915-1920. It is made out of mahagony.

Rare and important lacquered sideboard in two tone yellow ochre finish with silver leaf ornamentation, original mirrored tops, glass shelves, bullet hinges, faceted solid brass silver leafed hardware and silver plated shelf...

Resting on a smaller wooden base, this exquisite, black, rectangular sideboard by Giuliano Cappelletti focuses on the geometrical elements of the line, whose almost hypnotic, vertica...

This heavy high quality sideboard with beautiful bookmarked wengé veneer was made by N-Line Belgium in the 1970s. It features six doors and three drawers. The details of the solid k...

An exceptionally fine and rare "French Sideboard Table" in mahogany, attributable to the workshop of the eminent New York cabinetmaker, Duncan Phyfe, circa 1810-1818. This exquisit...

Bamboo and wicker sideboard consisting of four drawers and two large drawers embellished with large brass handles Italian production 1960s.