Plastic Wardrobes and Armoires

Stunning single hooks for individual attachment to the wall. Extremely rare and very very decorative.

Incredible vintage postmodern armoire with three spacious drawers. Features a Woodgrain glossy laminate with a silver edge and chrome handles.

A freestanding two door teak wardrobe from Wrighton - in the Danish modern style Made during the 1960s Fitted out with a clothes rail and compartments and shelves to the other T...

A beautiful highly figured walnut Art Deco double wardrobe of bowfront design. This lovely capacious wardrobe has excellent hanging capacity, the doors open to reveal full hanging t...

Rationalist Art Deco wardrobe with mirror by Vezzani (Pescia), 1930s. Its lines recall the designs of Marcello Piacentini and Giuseppe Terragni. Walnut, walnut root and maple structu...

1980s Italian Hollywood Regency neoclassical solid brass coat hangers, large stock available coming from one of Italy's main brass producers of late 20th century, the brass is in exc...

The curved and straight lines, the solids and voids, the austerity and lightness; and, above all, the refined lightness of the arches which follow on from each other at a constant rhythm. The Arcate collection of furniture represents a stated homage to one of the essential architectural elements – the arch in its typical variation of Romanesque constructions, present in various areas of the Veneto region such as some of the smaller islands of the Venetian lagoon – consisting of seven-drawer chests, dressers and bedside tables...

Pair of rock crystal handles with nickel decoration. Created by Phoenix Gallery NYC. Size, and finish upon request.

An Art Deco walnut wardrobe from the quality furniture makers Jas Shoolbred   - circa 1920's Fitted out with a clothes rail and coat hooks There's further storage in the drawer to th...

One-door wardrobe restored Art Deco oak floorboard narrow Features: Oak, mostly solid Single-door model with mirror, drawer and five shelves Solid softwood shelves, height adju...

A stunning original Art Deco period burr walnut wardrobe. This was made in England, it dates from the 1930’s. It is a great size and is of exceptional quality. There are amazing bur...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...