Aesthetic Movement Wardrobes and Armoires

A French painted faux bamboo armoire, circa 1890s. Ten drawers with a mirror-front wardrobe. 34 ½ inches wide by 15 ½ inches deep by 63 ½ inches tall

This is a charming late 19th century English bamboo wardrobe or armoire. All elements of the wardrobe are original and in very good condition. The war...

This is a large scale Maitland-Smith faux burnt bamboo armoire. This has English styling with its lacquered chinoiserie painted panels. The armoire has quite a bit of storage options...

Gillow's of Lancaster, an Aesthetic Movement walnut armoire wardrobe compactum with lots of useful storage space. The moulded cornice and b...

Lambs of Manchester, attributed. A rare Aesthetic Movement, unusually tall chest of drawers made from ash each drawer with stylized brass drop handles and ebonized inlaid rectangula...

Antique Aesthetic style marquetry and gilt bronze wardrobe with mirror Continental, early 20th century Dimensions: Height 202cm, width 154cm, depth 61cm This beautiful wardrobe ...

Bruce Talbert (1838-1881) for Gillow and co., a rare and important walnut, amboyna, ebonized, and gilt bedroom suite, each with differing carved rosettes, comprising: a triple mirror door wardrobe, 208cm high, 208cm wide, 58cm deep; a pair of bedside lockers, 85cm high, 38cm wide; and a pair of single bedsteads, 124cm wide Provenance: The famous Argentinian writer and suffragette Victoria Ocampo (1890-1979), bought from her estate and shipped back from Argentina. Bruce James Talbert originally trained as a carver and then an architect, and he became an influential and very successful furniture designer. He served an apprenticeship in Dundee and had his own carving business for two years where he learned the skills to apply carved details to furniture and then joined the architectural offices of Charles Edward. In 1856 he moved to Glasgow and worked for the architects W. N. Tait and Campbell Douglas. He moved to Manchester in the early 1860s, where he gained employment with the cabinetmakers Doveston, Bird, and Hull, which was short-lived, then moved to Coventry gaining work with Skidmore's Art Manufactures. In 1863 he won the competition to design the masthead for 'The Building News and in the mid-1860s moved to London, where he started designing furniture for Holland and Sons. His 'Pericles' Gothic sideboard was displayed on their stand at the Paris Exposition Universelle of 1867 where it was the Grand Prix winner. It was at this point that his most prolific period began and also when he started designing furniture for Gillows of Lancaster in 1868. in the same year, he published his very influential first book 'Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes', which he dedicated to George Edmund Street. This was followed in 1876 by 'Examples of Ancient and Modern Furniture, Metalwork, Tapestries and Modern Furniture' and in 1881 by 'Fashionable Furniture. Other companies he designed for were Marsh, Jones and Cribb, Jackson and Graham, and for a short time, was a partner with Daniel Cottier. He designed textiles for Templeton's, Warner's, Cowlishaw, and Barbour and Miller; carpet designs for Templeton's and Brinton and Co.; and his wallpaper designs were printed by Jeffrey and Co. He also designed church metalwork and furniture for Cox and Sons...

Ogdens of Manchester, in style of Dr C Dresser, An Aesthetic Movement three-piece bedroom suite made from Ash with intricate stylized fruitwood ...

A large aesthetic ash wardrobe in the style of Charles Bevan dating to 1890. The front is beautifully inlaid with stylized flowers and painted bird motifs. The two doors flanking the...