Medieval Furniture

Gothic Oak Dressoir: 1460 - 1500 , France - Flandres This exquisite Gothic oak dressoir dates back to the 15th century. This remarkable piece is a rare survivor from the Haute épo...

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14X6 cm. Good condition.

Beautifully decorated antique fireback or "ofenplatte". This used to be one of the sides of an antique stove made from several decorated firebacks. B...

Fragment of Flemish tapestry from the 17th century. This tapestry fragment depicts a mythological angelic child in the center. On either side we find two columns of golden acanthus s...

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (19...

17th - 18th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good. The total width at the front of the grat...

17th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good. The total width at the front of the grate is 81...

17th - 18th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good. The total width at the front of the grat...

17th - 18th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good. The total width at the front of the grat...

Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...

A rare and unusual pair of antique country Georgian carved oak side chairs, circa 1760. The chairs are from the reign of king George III and they are carved in the Medieval Revival s...

Beautiful 17th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good.

17th century French Gothic fire grate with period andirons and a newly forged grate. Made of wrought iron. The condition is good.

17th century French Gothic fire grate with period andirons and a recently forged grate. Made of wrought iron. The condition is good.

Flemish hand embroidery from the 15th to 16th century adorns this chasuble fragment, depicting scenes of the Virgin Mary Madonna and child amidst a garden setting. Created with lavis...

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

Marvelous antique Gothic Architectural Ecclesiastic church spire or steeple with pivoting shrine & distressed finish. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, there are pieces of wood missing throughout the structure and it has an all-over distressed patinated finish. A lower back support was added and a slatted back piece for stability by our professional craftsmen. It has also been reglued and re nailed for stability. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, 18th to 19th Century. WOW!!! What have we HERE??? Is it a Spire? YES! Is it a Steeple? YES! Well, isn’t it kind of a Tower? Also, YES!!! And it is MAGNIFICENT!!! We have a GORGEOUS mid to late 19th Century Gothic Architectural Ecclesiastic church spire or steeple with a pivoting center shrine bearing a “perfectly imperfect” distressed finish. The use of spires, steeples, and towers on Christian church buildings became common around the eighth century! Spires were (and still are) most commonly used in Gothic architecture… particularly in cathedrals and churches symbolizing heavenly aspirations as well as offering a visual spectacle of extreme height exhibiting tall steeples symbolically pointed to heaven. It serves to remind all who worship Him that God should be held above all else as He sits at the highest point. Isn’t that interesting?? Honestly, we think this whole spectacle is nothing short of incredible!! It has four extra tall hand carved, sculpted spires and two lower ones in front just below the beautifully sculpted cross in the center. It is covered in hand carved Gothic details and features a pivoting center shrine which was most likely used to hold a chalice or the communion offering during church service. It is comprised of patinated wood and bears an all-over distressed finish and throughout the entire frame pieces of wood are missing here and there… it is absolutely beautiful in its rustic-ness! It already had the dark wood box behind the rotating shrine so we added a lighter wood support below and a slatted back piece and front stretcher to give the structure stability. When we obtained it we were told a fun story from a man that claimed it came from an old church in New Orleans… oooooooh!!! Not sure if it’s factual but it’s a cool story! We think it would make an awesome PET PALACE!! That’s right!!! The open bottom would be a great space to place a dog bed or a litter pan for you cat lovers and then set your furry friends’ food & water bowls above. Talk about the ultimate Cat Castle or Royal Residence for Rover!!!! OR… if you are into gaming and love yourself some Minecraft… talk about bringing your Sanctum build to life!! It would be an AWESOME shrine to display or store your gaming components and collectibles!! It’s a wonderful way to exhibit a lovely sculpture...

A substantially constructed, heavy medieval era English oak door possibly dating from as early as the 13th century. This 800-year-old door is a rare find and originates from Leominst...

Elephant bird egg from Madagascar. The largest egg ever from a living creature; it is from the extinct elephant bird. Assembled from the shards of se...

This charming iconic gothic panel has a beautifully carved geometric pattern decoration with a carved frame. The combination of the geometric architectural decoration with its beauti...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

Important 16th century Italian School. "Christ" Oil on the table. Measures: width 34 - height 42cm. Good conditions. A study of the present table has not yet been done for this reas...

Mary Magdalene on her way to Marseille. oil on board. Castilian school, towards the last third of the century XV. Oil on panel showing a landscape in the background with a walled city, some mountains and the shore of a watercourse (from the theme it is seen that it is the shore from sea). In the foreground and in full body, a boat with a sail appears with a circus richly dressed characters and with their respective nimbus (these decorated with geometric elements and engraved vegetables), two women and three men. Note the anecdotal detail of the fish crossing the waters under the ship. In the Golden...

Hand-carved from French limestone, this rare gargoyle architectural has a wonderful cream finish with white accents and centuries’ worth of accumulation, resulting in areas of gold a...

Fabulous handwritten and illuminated book page. Beautiful period piece with gorgeous faded colors and typical gilded Gothic initials, France, 15th ce...

This 16th century hand-carved wooden Virgin Mary polychrome statue comes from a church in Sint-Niklaas, Belgium (Europe), and was bought directly fr...

Unique hand forged iron cross that once stood in the centre of a Provençal village. France, circa 1450-1550. Weathered. Measurement is with the wooden base.

A pierced Flamboyant canopy North of France, 15th century Limestone 30 x 32 x 35 cm This richly decorated canopy of circular plan, consist of three carved faces, each dominated by ...

Amazing French cast Iron fireback or backsplash. Showing IHS (Jezus the Savior of Humanity) or In Hoc Signo (In this sign will you win)) inside a beautiful wreath suspended by two angels, this all between two tall rounded pillars. This fireback is dated 1617. The fireback has a crack on the left side, see picture. Sold by Schermerhorn Antique Fireplaces Our vast collection of antique fireplaces and mantels...

17th century French Gothic andirons made of cast iron. The andirons have spit hooks to grill food and cups to warm drinks. In France this type of very old andirons are called 'landie...

A very early Oak Spice Chest with fine English form, handsome decorative panel doors and 24 drawers, four of which are hidden behind a central interior doo...

Spanish or Italian 17th century bis chest. Chest structure in solid walnut, entirely hand-carved. Exceptional craftsmanship. Very naive vintage conduction with a nice patina on the...

An antique animal skin or vellum book binding with brass or possibly bronze mounts (sometimes called furniture - centerpiece, corner pieces) of monumental scale. The work measures al...

Hutton-Clarke Antiques is delighted to present an extraordinary piece of history: an antique Gothic French coffer meticulously crafted from earlier panels set within a 19th-century f...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

RARE CENTER CHAPEL COUNTER 16th Century Lusíada - Portuguese in teak, Partial sissoo coating with ivory inlays, with 9 drawers simulating 10. Micromosaic in different materials, bac...

A scarce antique ecclesiastical architectural hand carved and painted wooden church - cathederal tabernacle door. 18th century or earlier, early Medieval European Romanesque Gothic style, facade with elaborate arched header atop partial quartfoil, hinged tabernacle door panel which would have opened to important religious niche...

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

Spectacular 17th Century Spanish Chest Original conditions preserved H: 57cm 133cm x 53cm

A silver Byzantine ring, distinguished by its large, granulated shield bezel, which reflects the artistic prowess and cultural significance of the Byzantine Empire. The ring possesse...

IMPORTANT TRIPTIC FLORENTINE SCHOOL (Italy) 16th Century Oil on wood, representing the Eternal Father, Our Lady with Baby Jesus, Saint Bernadino of Siena, San León, Saint Stephen an...

ITEM: Pilgrims badge / Plaque with incised cross and inscription with original suspension chain MATERIAL: Bronze CULTURE: Byzantine PERIOD: 5th – 8th Century A.D DIMENSIONS: 95 mm x ...

18th Century Carved Oak Dresser with Kings This is a handsome piece with a wonderful patina, the carving is of very fine quality, the very top section is even older it dates from t...

An exquisite silver gilt finger ring featuring a beautiful floral-shaped bezel with raised bosses and remnants of blue and green enamel. The ring is further embellished with several ...

Vault keys such as these were used where the vault ribs came together, as a finishing touch. These particular ones depict the four Evangelists. The Angel for St Matthew, the Lion for...

Amazing Chest, Italy, late 16th century 93 x 214 x 74 cm Rectangular shaped chest, in walnut wood. Four bracket feet, with four corners with sculpted leaves. Table top with owl's bea...

This very nice and rare pair of landiers is made of wrought iron. This is a very old and fine work. The iron is twisted on top and there is a "cremaillere" as we say in French. This ...

From the grandest cathedral to the simplest chair, Spanish style reflects the country’s history. This antique Spanish table, called a “travel table” is a gorgeous piece carrying the visual and functional elements associated with the country’s craft and design history. Thanks largely to its extended holy war...

Large Carved Oak Mule Chest, Green Man Marriage Chest This is a profusely carved Marriage chest, the coffer has many detailed carved panels. On the front we have 2 family crests on ...

Large leather and iron bound travel chest, very rare in its dimensions Late 15th century, Northern France Dimensions: h.103 cm, w. 178 cm, d. 77cm ( (H. 40.55 in, w. 70.08 in. d. 30.31 in) Our rectangular-shaped chest opens with a rounded lid. It is entirely covered in leather veneered on a wooden core, and decorated with wrought and crafted iron frames and hinges. It is garnished on all sides with iron hinges cut at the ends of Gothic trefoils. On the facade two lock plates with cut-out cloverleaf borders fitted with a hasp (one missing) attached to the cover. The iron bands serving as reinforcements on all sides as well as the central bands are decorated with plant and floral friezes and geometric patterns. These strips are attached to the wood using daisy-headed nails, typical of the French Renaissance. Given its size and loaded weight, our trunk has four carrying handles: two wrought iron side handles, but also two front handles. The interior has a stretched fabric dating from at least the 17th century, we find on the interior sides of the cover the original raspberry-colored vellum. This is a rare model in leather and iron of very large dimensions. Expensive materials, which were only used on small Gothic boxes (20 cm to 50 cm in length) like those in the public collections of many museums. Large chests exceeding 1 meter in length for the sake of economy and simplicity were generally made of wood sometimes covered with iron cladding. We found a large chest in the collections of the Metropolitan Museum of New York, but still smaller than ours (inv. 47.144, dim. H: 22 1/2" W: 50 1/2" D: 21"). There are also two similar large chests (with flat or slightly domed lids) in the collections of the Barcelona Leather...

Large Medieval German Inscription stone Germany, 14th century 46 x 83 x 13 cm

Exceedingly Rare English Yorkshire Wainscot High back corner armchair, circa 17th century. Made of oak with an impressive hand carved back that features a whimsical figure along the...

A cast-bronze Byzantine reliquary cross pendant with two cruciform plaques that open for relic or document storage, depicting the crucified Christ on both faces. Relics, the physical...

A Byzantine matching pair of electrum earrings that are crafted with utmost skill and care. Each earring features a round-section hoop with a central, biconical adornment with a holl...

SICILIAN MASTER OF THE 17TH CENTURY "Christ on the Cross" Wooden sculpture Christ Sculpture in carved and carved cypress wood 71 x 18 cm Height 97 good condition for the time