North American Card Tables and Tea Tables

This is a rare and large 48" inch 'Odyssey' bronze and pewter cocktail table by father and son team, Philip and Kelvin LaVerne, produced in the 1960s. Ingeniously designed with polyc...

Rare and exceptional "Eternal Forest Tea Table” with top in patinated bronze and pewter with hand painted enamels over a repeating tree motif by Philip and Kelvin LaVerne, American 1960s. These small 2 tier tea tables...

Rare and exceptional "Etruscan Spiral Tea Table" in bronze with etched top in bronze and pewter with hand-painted enamels by Philip and Kelvin LaVerne, American 1960s (signed “Philip Kelvin LaVerne” on side). These small 2 tier tea tables...

A very fine Sheraton card table from the first quarter of the 19th century, it features a fine serpentine form that is most exaggerated, the front with a cupid's bow curvature that f...

A beautiful and finely made center table (or tea table) by Ron Puckett, crafted of Mahogany, Maple and Marble in the Art Deco style. Beautiful green marble...

Philip and Kelvin Laverne Spring festival tea cart Bronze with pewter and mahogany, circa late 1940s Plaque, circa late 1950s Measures: 35 1/2” H x 39 1/2” L x 19 3/4” D (90....

An elegant display of the distinct influence English forms had on the craftsmen of Philadelphia, this fine mahogany card table was executed contemporarily to the same forms in London...

A very fine example remaining in excellent original condition, the table form is closely associated with a small grouping of furniture from the coastal North Carolina, particularly Edenton. The work center is distinct for its use of a dovetailed box instead of a birdcage with pillars as the rotating and tilting functionary, a technique founded in British furniture but most often employed in American furniture of coastal North Carolina, specifically Chowan County. Further related are the uses of a large turned boss rather than the more typical tri-form iron bracket beneath the pedestal to secure the dovetailed legs to the base as well as the scrolled volute leg returns at the juncture of the leg and pedestal. This is only hinted at in the present example, the soft roundel left unembellished as a simple scroll along the interior edge of each leg. Like most of the tables identified from this work center, the top is a thick and broad beautifully grained solid plank of mahogany, affixed to the dovetailed mahogany box on a pair of blunt ended cleats with original screws flanking projecting dowels from the box. The pedestal is striking for its compressed urn and tight ring turnings beneath an elongated shaft. The legs have a soft and highly effective profile, the cabriole flowing into a rounded foot over thin pads of the solid. The table is preserved in outstanding condition retaining its original iron tombstone latch and brass catch with its original hand filed steel screws, likewise with original unmoved cleats and most original screws. The large turned boss remains affixed with its original iron sprig nails. It remains a powerful presentation piece for the serious collector of American furniture of the period. Materials: All primary and secondary surfaces mahogany Literature and notes: Southern...

Tray top, unusual scallops, cabriole legs terminating in pad feet. Restored black paint over red. New England, circa 1750-1780.

A unique circular pedestal table with a split leg design, all tightly covered in a painted canvas.

This fine American Classical card table features a pair of full width planks of mahogany with integral molded ends that rotate 90 degrees and flip open on original brass hinges to cr...

This incredible table is listed in a Philip and Kelvin LaVerne's 1960s catalogue as a Limited Edition work, making this rare 'La Reine Floral' coffee table an important artifact and ...