Mid 19th Century Bird's-Eye Maple Centre Table on Bun Feet

A fine quality early 19th century Regency period rosewood centre table, having intricate brass inlaid and brass edged circular top, raised on ebony and brass paneled triangular conca...

An impressive near pair of mid-19th century Russian centre tables veneered in Hungarian ashwood, having marquetry inlaid tops bordered with ormolu mounted edges above plain friezes, ...

An early 19th century French mahogany gueridon table having circular moulded grey marble top raised on reeded turned tapering column and scrolled leaf-carved tripod base ending on bo...

An early 19th century Regency period rosewood breakfast table, having burr elm crossbanded octagonal top stamped S. Jamar, supported on triangular tapering column raised on triform p...

An unusual early 19th century Regency period figured mahogany sofa table having rosewood, maple, boxwood and ebony crossbanded top above angled frieze drawers raised on boldly carved...

A stunning pair of mid-19th century Irish satinwood and mahogany centre tables, crossbanded and strung throughout, having segmented square tops with harebell and central dragon inlay above frieze drawers with lattice strung corners, supported on octagonal column...

An unusually large desk, even suitable for two working spaces at a time. The rounded rectangular top with a tooled black leather writing surface above four frieze drawers, two to eac...

Beautiful 19th century Birdseye maple centre table. The whole is supported by two decorative pedestal bases and scroll feet. Beautiful colour and aged patina, in good condition!

Regal mahogany and Macassar ebony round centre hall table with intricate starburst inlaid top, sitting on ebonized and gilded stand, raised on ...

American mahogany and bird's-eye maple tilt-top center table with inlaid octagonal pedestal, original locking mechanism, resting on tripod base with scrolle...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

19th century Edwards and Roberts birds eye maple card table circa 1890. Stunning quality card/game's table by Edwards and Roberts, with makers plaque on the underside. Unusuall...