Isamu Noguchi IN-50 Coffee Table

As Isamu Noguchi (1904–88) saw it, he only created one truly good piece of furniture, a coffee table. Despite his legacy of design that combined dynamic forms with organic materials and resulted in an oeuvre still widely celebrated today, the Japanese-American artist and designer considered the Noguchi coffee table his singular success.

In 1944, Noguchi created the first version of his classic coffee table as a riff on a piece he designed for former MoMA president, A. Conger Goodyear, five years earlier. According to design lore, industrial designer and magazine journalist George Nelson visited Noguchi while working on an article titled “How to Make a Table” and found him at work on a prototype for the piece that would later become the Noguchi coffee table. Nelson, then the director of design at Herman Miller, was not only so taken by Noguchi’s creation that he used it to illustrate his essay but he also allegedly convinced the legendary furniture manufacturer to produce it. Beginning in 1948, the company did.

Art enthusiasts may compare the Noguchi table’s sculptural base to the work of a certain Romanian sculptor — and for good reason. A young Isamu Noguchi worked as Constantin Brancusi’s assistant for several months in 1927 before embarking on a wide-spanning career. He dabbled in furniture and lighting design, sculpture and more. Although it was produced some 15 years after Noguchi left Brancusi’s studio, the coffee table, with its sinuously shaped base, bears a stylistic similarity to Brancusi’s work. It also draws from the kind of abstract sculpture that Noguchi began to create during the 1940s while living in New York City’s Greenwich Village, where he first designed the table.

Comprising just two materials — wood and glass — the coffee table is visually complex yet ingenious in its simplicity. Two interlocking, identical wood pieces act as the base of Noguchi’s design, and they’re covered with a glass top. Due to the base’s asymmetrical form, the table looks different from any angle — and the clear top ensures that no angle is ever obscured.

When it debuted in the Herman Miller catalogue, the Noguchi coffee table was touted as a “sculpture for use.” Noguchi produced the first version of the table in rosewood, and Herman Miller now offers it in black, cherry, walnut and white ash, each of which uniquely celebrates the artist’s deep appreciation for natural materials.

A sculptor, painter, ceramicist and furniture and lighting designer, Isamu Noguchi was one of the most prolific and protean creative forces of the 20th century and a key figure in the development of organic modernism. Noguchi’s sculptures and designs share a common spirit: one of lyrical abstraction, tempo and flow and harmonious balance.

Noguchi was born in Los Angeles to an American mother and Japanese father, and spent most of his childhood in Japan. He returned to the United States at age 13, went to high school in Indiana and enrolled at Columbia University to study medicine. At the same time, he took night courses in sculpture. Within three months, he left college to pursue art full time. Noguchi was awarded a Guggenheim Fellowship in 1927 and traveled to Paris to work under Constantin Brancusi. It marked a turning point. Inspired by Brancusi, Noguchi embraced abstraction and began to sculpt in the expressive, rhythmic style that would be the hallmark of his work.

Once back in New York, Noguchi was introduced to design by what would become a lifelong collaboration creating sets for choreographer Martha Graham. His first industrial designs were in Bakelite: a sleek clock-timer created circa 1932, and his famed Zenith Radio Nurse intercom, from 1937. Ten years later, Herman Miller introduced Noguchi’s now-iconic glass-topped coffee table with an articulated wooden base. His washi paper and bamboo Akari light sculptures, handmade in Japan, debuted in 1951. In the late 1950s, Noguchi designed for Knoll, creating such pieces as his dynamic Cyclone table and rocking stool.

For collectors, Noguchi’s furniture and lighting designs remain his most accessible work. As you will see on 1stDibs, they have the same power and presence that Noguchi brought to his art.