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Irish Regency Writing Desk by Mack, Williams & Gibton 19th Century Mahogany

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    Located in London, by appointment only
    A very fine and good looking pedestal desk, the leather top with brass bound edges, above a bank of four drawers on each side with one central drawer, the back with dummy drawers. Th...
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    Antique Late 19th Century English Early Victorian Desks and Writing Tables

  • 19th Century, Louis XV Revival Ormolu-Mounted Bonheur Du Jour by Diehl
    By Charles-Guillaume Diehl
    Located in London, by appointment only
    Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...
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  • Arts & Crafts Satinwood Writing Table by Marsh and Jones
    By John Marsh and Edward Jones
    Located in London, by appointment only
    An Arts and Crafts satinwood writing lavishly inlaid with stylized foliate ornament and multilayered crossbanding. The table is supported on turned columns joined by a stretcher supp...
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    Antique 19th Century English Arts and Crafts Desks and Writing Tables

  • Early 19th Century Monumental Regency Giltwood Convex Mirror
    Located in London, by appointment only
    A truly fabulous, important, rare and grand proportioned Regency giltwood convex mirror. The substantial frame carved with overlapping laurel leaves and berries, supporting to boldly carved acanthus candelabra with original cut-glass drip pans and gilt bronze nozzles. The gilding has aged to a deep rich colour. This fabulous and incredibly grand masterpiece retains its original convex mirror plate. One of the finest period convex mirrors ever made. The creation of convex mirrors became possible with the development of glass blowing. When the glassblower created a small glass bulb, they were filled with a metallic mixture of lead and tin while still hot. Once cooled, the bulbs were cut into smaller pieces and could be used as hand an pocket mirrors. They were used as fashionable pieces of jewelry and were often encased with gold, silver, ivory and tortoiseshell. The Empire circular convex mirror was introduced from France, where they had been made as early as 1756. This style of mirror became so popular under the heading ‘Mirrors’, in Sheraton’s 'Cabinet Dictionary' (1803), that they are the only style mentioned. Convex mirrors were said to “strengthen the colour and take off the coarseness of objects by contracting them”. Convex mirrors produced on a larger scale were both practical and intriguing. While they distort the image that they reflect, they also magnify light...
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    Antique Early 19th Century English Regency Convex Mirrors

    Materials

    Ormolu

  • Early 19th Century Berlin Mahogany Armoire
    Located in London, by appointment only
    Germany, circa 1825. A Berlin mahogany display cabinet having a stepped pediment inlaid with boxwood stringing above partially glazed doors divided...
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    Antique Early 19th Century German Empire Bookcases

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  • 19th Century Mahogany Green Man Stool
    Located in London, by appointment only
    Nicholas Wells antiques is pleased to offer this fine 19th century mahogany carved stool, re-upholstered in yellow velvet, the cabriole legs carved with...
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