Antique Quality George III circa 1810 Inlaid Mahogany Desk or Writing Table

Antique George III quality mahogany knee hole desk having a quality mahogany rectangular shaped crossbanded top with a moulded edge above one long and six small cockbeeded oak lined drawers with original brass handles, secret drawer to the knee hole and a single panelled door...

This George III table has gold embossed trim around a beautifully weathered dark green-blue leather tabletop. The square body has been made entirely from mahogany with a mahogany ven...

Rectangular top with all new olive tooled leather and central hinged rest, over a pair of drawers over two small drawers, raised on square tapered legs with spade feet. The back is p...

Rectangular with old brown leather top and cross banded edge. Three drawer and false drawers on reverse. String inlay and brass bail handles on the drawers. Raised on square tapered ...

This is a fine antique George III mahogany and marquetry library table, circa 1780 in date. The table features beautiful floral and scrolling foliate marquetry throughout, with flame mahogany marquetry panels and gonçalo alves crossbanding. The rectangular top is fitted with the original emerald green gold tooled inset leather writing surface above a pair of crossbanded frieze drawers, raised on square tapered legs. It is freestanding, finished on all sides, so that it can stand freely in the middle of a room, making it extremely suitable for a large home or office. Complete with original brass handles, working locks and keys. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, and only shows minor signs of wear commensurate with age and use. Please see photos for confirmation. Dimensions in cm: Height 76 x width 144 x depth 84 Dimensions in inches: Height 29.9 x width 56.7 x depth 33.1 Marquetry is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Flame mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

George III Period Mahogany Desk two drawer resting on on square tapered legs castors and the top inset with gold-tooled red leather. England: circa 1790