Fine Edwards and Roberts 19th Century Ebonized and Thuya Wood Writing Table

An extremely fine 19th century French Louis XV Revival gilt ormolu mounted Kingwood bureau de dame / writing table. French, circa 1870. A very attractive and of the finest qua...

An extremely fine gilt bronze mounted parquetry kidney shaped writing table attributed to Gillows of Lancaster. English Circa 1865 The rosewood lozenge trellis inlaid kidney shape...

An exceptional marquetry and ormolu centre table of exhibition quality attributed to Edward Holmes Baldock. English, circa 1840. Finely co...

A rare and finely constructed circular satinwood centre table most probably by Henry Thomas Peters of Genoa. Italy Circa 1830. The circular tilt top having a finely chosen cuts of book-matched West Indian satinwood veneer with a rosewood banded and moulded edge over a splayed in-curved quatroform base, terminating on four acanthus carved scrolled rosewood lions paw feet raised on brass castors. A very fine table with wide cuts of satinwood which would have been extremely expensive in the early 19th Century. Inspired by the French Empire design as viewed through the lens of English Regency, in particular the designs of Thomas Hope of 1807, along with the construction all point to Henry Thomas Peters being the maker, active in Genova around 1820 to 1850, being one of the leading cabinet makers of the period obtaining the title of ‘cabinetmaker of his Majesty’. Henry Thomas Peters’ English antecedents remain obscure although he probably began his career in England. However, he is not listed in Beard and Gilbert’s Dictionary of English Furniture Makers 1660-1840. He arrived in Genoa in circa 1817, and by 1824 had established a workshop in Via Balbi, a neighbourhood in which the Royal Palace and other noble residences were located; today some of his works are preserved in the Palazzo Rosso, Genoa and were probably bequests from the various aristocratic families for whom he worked, including the Brignole Sale family. Peters was appointed by the Court of Savoy and produced furniture for their palaces in Turin, Genoa and Racconigi including the Palazzo Reale. Notably, in 1841, furniture for the wedding of Prince Vittorio Emanuele. In 1846, Peters and his extensive workshop won the silver medal at the Esposizione dei Prodotti e delle Manifatture Nazionali. As pointed out Peters was famed for producing furniture with the technical accuracy typical of English but adapted to the late Italian Empire style. A set of six Italian Giltwood...

An elegant and rare early 19th century burr root maple drum top table on splayed triform base. Scandinavian circa 1820. The circular top with ra...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...

Hello, This exceptional Viennese Biedermeier oval writing table was made circa 1825. Ebonized Biedermeier pieces were mostly made in Vienna, Austria and account for only 1-2 % of al...

An exceptional quality mid-19th century, William IV Period, rosewood writing table having blind tooled leather inset to crossbanded top, over two drawers with original turned wooden knobs opposed by two false drawers, to extremely elegant shallow frieze, raised on reverse tapered, faceted, end supports with elegant carved scrolling feet and original recessed brass castors. Dating to the William IV period, which of course has a most distinctive style of its own sitting, despite not lasting very long between the late regency and victorian periods of english furniture making, this writing table has a lot of stand out features. Firstly it is a great size. A little bigger than many, indeed big enough to use as a day to day desk for working at, whilst not being overpoweringly large like many earlier georgian writing tables which one may find. It is also of exceptional quality. Clearly constructed in a top workshop it is constructed using high end, decorative rosewood veneers on the outside and a lot of mahogany as secondary timbers on the inside which is a great sign of quality. The entire table oozes class and sophistication in fact from top to bottom. The original turned wooden knobs are a nice feature, as is the high support...

English mid 19th century rosewood sofa table with brass overlay accents to turnings and drawer frieze, original brass shell shaped handles. This table is stamped by the maker Edward...

19th century Miles and Edwards writing table of unusual shaped top, with leather scribe on barley twist leg.

Antique fine quality Victorian mahogany twin pedestal desk Edwards & Roberts. This particular desk is a Chinese Chippendale revival, circa 1880, late Victorian period. The desk top s...

Antique, fine-quality 19th Century Edwards and Roberts mahogany writing, dressing, side table desk. Exhibiting a lovely age, color, and patina and standing on melon-fluted legs. Thi...