Shelving Sculpture or Writing Table by Jacques Jarrige, 2012

Unique biomorphic sculptural bookcase or shelves unit in Plywood. Hand-sculpted and signed Jacques Jarrige Jacques Jarrige is represented in the U.S. by Valerie Goodman Gallery. ...

Elegant, sculpted desk or dining table by Jacques Jarrige.

A stunning and poetic mobile sculpture by Jacques Jarrige. Wide fascinating movement created by meandering wood pieces screwed together and two balancing branches. Jacques Jarrige...

A unique writing table with a shelve and lamp by Jacques Jarrige. The desk was sculpted by the contemporary French artist and cast in bronze finished with a black patina and polished...

Meanders is both a sculpture dining table and a drawing line in space. Jacques Jarrige with his play on solids and voids re-interprets the envi...

Recent piece by Jacques JARRIGE. Dining table / Desk/ conference table with biomorphic form. One or more drawers. Dimensions can be customized. Signed Piece Jarrige's work has bee...

The modular design of our Ledoux Shelving system allows for it to be uniquely imagined and effortlessly reconfigured. Introduced just this year, Piscina won Best new Designer and Bes...

1950s French midcentury industrial iron adjustable shelving system with wood desktop. Requires assembly. Provenance: Marché Paul Bert Serpette, Pari...

Writing desk designed by Le Corbusier in 1957. Relaunched in 2010. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the ...

LC16 desk by Le Corbusier for Cassina. Working closely with the Fondatiòn Le Corbusier and maintaining the utmost respect for its original design, Cassina re-edits the LC16 Bu...

Writing desk designed by Le Corbusier in 1957. Relaunched in 2010. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the conditions of equilibrium, this bookcase is nothing short of a manifesto for Cassina’s design and construction capabilities. After a lengthy period of research and development, ably assisted by state-of-the-art technology, the company’s designers created a production prototype of the original 1940 piece that architect Franco Albini made as a one-off for his Milan home. Respecting the authentic underlying concept of the design, with its compelling experimental feel, as well as its surprisingly spare, linear looks, today’s model preserves the minimal ideal of the original: a feeling of air and light so that the books and objects seem to float free. Thus does Cassina restore to the contemporary world of design one of its most emblematic artefacts, a piece that has acquired the status of a work of art, as magical now as it was when it was first seen. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charles-Edouard Jeanneret, known as Le Corbusier, was born in La Chauxde-Fonds, in the Swiss Canton of Jura, in 1887; and died in France, in Roquebrune-CAP-Martin, on the French Côte d'Azur, in 1965. At the beginning of his career, his work was greeted with some reluctance due to its supposed "revolutionary" character and the radical aspect it acquired through his "purist" experiments; In any case, already at that time, he received the recognition he deserved and the admiration of the majority. His message is still being assimilated by an increasing number of people in the profession, but his eccentric avant-garde attitude should be properly taken into account for the use of rational systems in his planning method, as reflected in extremely simple modules and forms based on functional logic. "A functionalism that does not tend to exalt the mechanical function to the detriment of the symbolic but rather to the rejection of the symbol, which he now considers obsolete and insignificant, and the recovery of the practical function as a symbol of new values" (¹) In his activities as an urban planner, architect and designer, his method of study continued to develop, sometimes going from one extreme to another in a complex plastic language. Some examples of this are: Unité d'Habitation, Marseille (1946-52); the Chapel in Ronchamp (1950-55); the Dominican Monastery «La Tourette» (1951-56); the Zurich Center (1964-65) the Hospital in Venice (1965). The same dedication will be found in the design of diverse furniture, such as: the furniture of "Equipement intérieur de la maison" (tables, chairs, sofas and armchairs) designed for the Salon d'Automne in 1928 with Pierre Jeanneret and Charlotte Perriand and “Casiers Standard...

Elegant writing desk / lady's desk by Jacques Quinet, France circa 1950. Bronze sabots, brass strips, leather overlay with some age-related signs of use. Rectangular, straight body ...