Leather Dining Room Sets

Dining set designed by Uno Ullberg for Hangö Ångsåg & Ångsnickeri AB, Finland, 1905. Birch and leather. Set includes ten dining chairs and dining table. Uno Ullberg was one of the...

French Art Deco Dining Room Suite featuring 8 chairs and 3 matching side pieces boasts one of the most remarkable marble tops ever seen, fitted flawlessly with beveled edges. Restore...

A beautiful Danish ‘Roundette’ dining set designed by Hans Olsen for Frem Røjle, this would make a stylish addition to any dining or work area. A striking piece of classically design...

Streamlined Art Deco dining chairs, designed by Wolfgang Hoffmann for Howell, American, circa 1930s. Chrome plated metal frames with black leather upholstery. Please see our other 1s...

Manufactured by Frem Rojle in Denmark and designed by Hans Olsen. The chairs feature a teak frame with a triangular seat upholstered in black new natural leather. The woods items hav...

Fantastic post-modern dining table and 4 lacquer and leather dining chairs made in Italy. 2 tapered geometric V shaped base legs. Thick beveled glass top. Chairs have gentle sloping ...

This collection presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his...

An Art Deco eight seater extendable dining suite by Hille of London comprising of six dining chairs and two carver armchairs with solid walnut legs and arms. Extendable dining table ...

Luigi Massoni for Poltrona Frau, set of four armchairs with dining table, model ‘Dinette’, leather, chrome, glass, Italy, 1972 A striking ensemble consisting of four Dinette chairs ...

Dining set designed by Yngve Ekstrom for Dux of Sweden late 1950s early 1960s. The set is constructed of teak and oak, the dining chairs are of oak, leather, vinyl with brass hardwar...

Dining room set consisting of a set of six dining chairs by Ernesto Valabrega paired with a dining table by Biosca Ernesto Valabrega, set of six dining chairs, oak, leather, iron, ...

Stunning 1930s French carved and stepped dining room table and six matching chairs. High deco carvings on four facets of table and on each chair back. Made out of exotic African Pada...

Transform your dining space into a mid-century masterpiece with this stunning dining room set that combines iconic design with exquisite craftsmanship. This set includes six dining c...

The ultimate mid-century modern ensemble: the T-chairs by Katavolos, Kelley, and Littell, accompanied by a round dining table by Eero Saarinen. Crafted in 1952, the T-chairs boast ch...

Set of 4 Mid Century Totem dining chairs by Torstein Nilsen for Westnofa with Italian design dining table .Norway 1980s Beautiful vintage Set of 4 dining chairs, with table ,model T...

Wonderful set of 6 chairs. Two of the chairs are armchairs for each end of the table. The complete set consists of eggshell-white painted bamboo wood paneling. Inside the bamboo stic...

A fine Art Deco Maurice Adams dining room table and six chairs. In walnut with well designed slanted legs to the table with banding to each of the four...

Set of Four Rustic French Wood and Woven Leather Dining Chairs, attributed to Charles Dudouyt, France, circa 1950s. They retain their wonder...

Dining room set consisting of a Pierre Chapo dining table model T20A paired with a set of eight dining chairs by Yrjö Kukkapuro. Pierre Chapo, dining table, model T20A, elmwood, F...

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. Th...

An exceptional set of 10 Preben Fabricius and Jørgen Kastholm limited edition cognac leather FK6728 armchairs matched to a large an impressive Matteo Grassi cream leather and glass dining table. The price shown is for all 10 chairs and the table including the glass top. Originally designed by powerhouse 1960s design team Preben Fabricius and Jørgen Kastholm in 1964, their ‘Tulip’ chair has become an icon of Mid Century Danish design. The actual original name for this chair that was produced by Kill International is ‘The Bucket Chair’ and it is still produced today by Walter Knoll under that name. Needless to say the name comes nowhere near close to portraying the beautiful and curvaceous lines it exhibits which is why over the years it’s often been referred to as the ‘Tulip’ or ‘Bird’ Chair. The original production name was the FK 6725 which relates to the chair with the fixed base and seat. Other production variants number from 6725-6729 and also have been produced in a 3 leg (3G), 4 leg (4G) or 5 star (5R) base and with or without castors. The original chair was produced with a fixed seat and base, but later versions had a rotating seat - and later still a 4 star and 5 star base with both a tilting and rotating seat. All production models had circular slides or castors fitted to the base of the feet so if you ever see a listing without one or the other they are missing in action. The FK high back armchair version, as shown here, has a leather pad and a gloss white shell and a 4 star rotating base. This was a special edition, as confirmed by email via Walter Knoll, and was therefore only produced in very limited numbers. The fine lines and contours found on the FK chair are still as compelling today as they were when the chair was first introduced. The sculptured arm rests elegantly curve up and away from the chair base and provide both comfort and support. It’s a stylish, easy going chair that works well both in a domestic environment as a dining, side or desk chair, or in a business environment as a meeting room or conference room chair. All the chairs in this set are in good used condition with just minor signs of wear here and there as expected. There really is nothing much to choose between any of the 10 as there are no major marks or damages. The polished 4 star base on all the chairs are also in good condition with just a few scuff marks and scratches on the tops of the profiles, again just as you would expect. The chairs are matched to a beautifully designed and constructed Matteo Grassi cream leather and glass dining table. This large and impressive table has a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As you can see by reference to the photographs, the table can accommodate 10 chairs, but also works well with 8, or 6 chairs too. On this basis you can adapt the seating to your needs and maybe only have all 10 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set...

Born 1926, Giotto Stoppino was one of the most relevant representative of the Italian Space Age movement. He worked as an architect but, most importantly, as a designer - penning obj...

Dining room set consisting of ten S11 dining chairs with Aban T35D dining table by Pierre Chapo Pierre Chapo, set of ten dining chairs, model 'S11', elm, leather, rope, France, cir...

combined dining table set by Asko / Ilmari Lappalainen and Pastoe from the 60s and 70s. The “Pulkka” chairs are made of anodized aluminum with yellow leat...

Dining room set made by Biosca containing a dining table and six chairs Biosca, dining table, stained pine, iron, Spain, 1960s Outstanding Spanish dining table that is executed by ...

Le Corbusier, Perriand and Jeanneret LC6 'Table Tube D’avion', Cassina edition, Italy, 1990s & Set of 4 Black Leather Chairs by Matteo Grassi, Italy, 1990s. The table: The core con...

Italian mid-century Giorgetti set of 4 pcs. dining chairs. The chairs are created in black painted wood with walnut details and authentic excellent quality black natural leather. Ver...

First developed in 1976, the Cirkante extendable dining table became an instant classic. Thanks to the combination of design and functionality, the table can accommodate to 8 people, even in the small houses of the past. This feature is very useful, given the current trend towards smaller homes. In the center of the table there is a removable red Belgian Rouge Royal marble square centerpiece. In addition, this table comes with a set of 4 beautiful organically shaped oak Orchidee chairs...

Mario Marenco dining room set, Postmodern, beech, tan leather, Italy, 1970s Impressive and tall chairs made in solid beech. Rectangular table with asymmetrical lines, also in sol...

Afra & Tobia Scarpa for Maxalto, Artona dining table with 'Africa chairs', black leather, walnut, ebony, and brass, Italy, the 1970s the Africa d...

Dining room set containing Angelo Mangiarotti for Skipper set of six chairs with Pierre Chapo dining table model T21D Angelo Mangiarotti for Skipper, set of six chairs, model 'Tre ...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Late 70’s Pacific Green dining suite Made from coconut palm wood, leather and steel. All in very good condition. We would consider selling the table and chairs seperatly if you woul...

Guido Faleschini for i4 Mariani, dining or conference table, leather, wood, metal, Italy, 1970s, with Giovanni Battista Bassi for Poltronova, set of ten armchairs model 'Elisa', velv...

Elevate your dining experience with our exquisite seven-piece dining set, a vintage masterpiece designed by the renowned Paul McCobb for The Calvin Group, dating back to the illustri...

Oskar 705 Scalene Triangular Table by Cassina. Designed by Isao Hosoe in 1991. The crystal glass tabletop is supported by three conical legs upholstered in Russian red saddle leather...

Rare Blond Maple Round Expandable Dining Table 6 Chairs Set Set Denmark MINT! Table Dimensions Extended: 59x57.5x29 Chair Dimensions: 17.5 x 18 x 37

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning Vintage Robert Mouseman Thompson hand made in made-in-England dining table and chairs set that was part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. This table and chair set is part of a suite, I have the matching Sideboard which comes with an original vintage newspaper cutting listed...

Set of Eero Saarinen for Knoll set of six 'Tulip' armchairs with Centro Progetti Tecno round dining table Eero Saarinen for Knoll, set of six 'Tulip' armchairs, fiberglass, aluminu...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

SALE ONE WEEK ONLY Rare Mid-Century Modern dining table and eight dining chairs with black leather seats by Erik Worts for Henrik Worts Mobelsnedkeri, Denmark. A beautiful hand-c...

A British Art Deco Dining Suite by Hille produced in London in the 1930’s The Table has a large one piece top with highly figured burr walnut book matched veneers, the curved ends ar...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

Midcentury Living Room Table w/Black Glass Top and six chairs Product details Table Dimensions : 160 w x 80 h x 87 d cm. Chair dimensions: 39 w...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Italian midcentury Giorgetti dining set including dining table and four chairs. The dining table is in black painted wood with walnut top and brass details on the legs. The chairs...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

Mid-Century Modern folding dining set by Hyllinge Møble, Denmark, 1970s.

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

A beautiful dining set containing one extendible dining table and four arm chairs, designed by Niels Otto Møller, manufactured by Møller in Denmark around 1960. The dining table has a round top with a diameter of 110 cm, which can be extended by placing a separate leaf in the middle. That makes the table 160 cm...

Mid-Century dining table designed by Finn Juhl for Niels Vodder. Made in Denmark, 1948. The 'Judas' table deserves to be seen as the embodiment of fundamental Mid-Century Danish de...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

This incredible exotic wood and leather dining set, which would also make an amazing conference table and chair set, by luxury design su...