Antique Early Victorian Extending Dining Table by Gillows 19th C

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Antique Early Victorian Extending Dining Table by Gillows 19th C

About the Item

A very rare opportunity to own a good early antique early Victorian extending dining table by Gillows, of Lancaster, Circa 1840 in date. This amazing table has two leaves, which can be added or removed as required to suit the occasion. It has been hand-crafted from solid flame mahogany which has a beautiful grain and is raised on four substantail lobed reeded tapering legs which have been masterfully hand carved and terminate in brass castors. The underside of table bears the stamp of the world renowned cabinet maker and retailer 'Gillows Lancaster'. It measures just under 7ft in length by 3ft 6 inches wide, when fully extended, which makes it ideal for city appartments where space is at a premium. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 75 x Width 209 x Depth 104 - Fully Extended Height 75 x Width 121 x Depth 104 - With all leaves removed Dimensions in inches: Height 2 foot, 5 inches x Width 6 foot, 10 inches x Depth 3 foot, 5 inches - Fully Extended Height 2 foot, 5 inches x Width 4 feet x Depth 3 foot, 5 inches - With all leaves removed Robert Gillow (1704–1772) was an English furniture manufacturer. He joined with a family of traders called Sattersthwaite and sailed with them to the West Indies as a ships carpenter. In Jamaica he became interested in mahogany and brought samples of the wood back to Lancaster in 1720. This may have been the first mahogany to be imported to England. He founded the luxury furniture and furnishings firm Gillow of Lancashire in 1730. During the 1730s he began to exploit the lucrative West Indies trade exporting mahogany furniture and importing rum and sugar, in addition to fitting out ships cabins and doing finishing work in construction. The firm rapidly established a reputation for supplying high quality furniture and furnishings to the richest families in the country. They also had a London workshop in Thames Street. In 1764 a permanent London branch of Gillow's was established at 176 Oxford Road, now Oxford Street, by Robert's son, Thomas Robert Gillow, and William Taylor. As well as working in solid mahogany, Gillows made veneered and painted furniture, and often used japanning to imitate inlay. As textiles came down in price, the firm moved into upholstery – staying ahead of the game in 1785 when it sent an upholsterer from London to work in the Lancaster factory. Gillows can be credited with many innovations. In the mid-1760s initiated and exploited the craze for billiard tables and produced a ladies’ version, the trou-madame. He invented the extending dining table – including, in 1800, the telescopic version, the “Patent Imperial.” The firm was inventive in adapting designs to customer’s requirements – 1795 saw a round library table with a revolving top. It fitted secrétaires with movable drawers and partitions, like early filing cabinets, and it even made a bureau bedstead that served as a desk but pulled out to a bed. The social or “gentleman’s” table, horseshoe-shaped with japanned ice buckets, appeared around 1800, as did bonheurs du jour (ladies’ writing tables). Another version of the social table was semi-circular, with a firescreen along the straight side and a sliding holder for bottles. The Davenport, a lady’s desk, was featured in the sketchbooks from 1816. Gillows made medicine chests, powdering closets, linen presses, clothes horses, squirrel cages, meat safes, and boot jacks, not to mention coffins. For over a century, the firm was known for its luxury furniture and furnishings. During the final years of the 19th century the company ran into financial difficulty and from 1897 began a loose financial arrangement with Waring of Liverpool, an arrangement legally ratified by the establishment of Waring & Gillow in 1903. Flame Mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany." The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.

Creator:
Gillows of Lancaster & London (Maker)
Dimensions:
Height: 29.53 in (75 cm)Width: 82.29 in (209 cm)Depth: 40.95 in (104 cm)
Style:
Victorian (Of the Period)
Materials and Techniques:
Mahogany
Place of Origin:
England
Period:
1840-1849
Date of Manufacture:
circa 1840
Condition:
Seller Location:
London, GB
Reference Number:
Seller: A25591stDibs: LU950627882342

Shop All Gillows of Lancaster & London

Gillows of Lancaster & London

It would be difficult to find an antique furniture enthusiast or collector unfamiliar with the name Gillows of Lancaster and London. The British furniture company — which has earned references in the writings of Jane Austen and elsewhere in literature — is renowned for its exceptional quality craftsmanship, and attracted designers such as Thomas Chippendale, Thomas Sheraton and George Hepplewhite in its heyday.

The firm was founded circa 1730 by Robert Gillow (1704–72), who worked as a joiner, housebuilder and overseas merchant before making furniture for homes and export. Gillow established his business in his home city of Lancaster. However, the company later expanded into London in the 1750s after Robert entered into a partnership with his son, Richard, who apprenticed with a London architect and learned the merchant trade in Barbados. Richard had entrepreneurial aptitude — he managed apprenticeships at the firm, ensured that quality materials were a priority, navigated economic hardships, and designed furniture, too. He created seating based on sketches drawn by his cousin, James Gillow, in London.

London’s wealthy upper class took notice of the Gillows’ high-quality furniture, which came to include bedroom furniture, cabinets, a range of seating and other pieces made of rosewood or rich mahogany imported from the West Indies and Jamaica. By the end of the 18th century, the manufacturer was one of the leading furniture makers in Britain. Gillows designed its own furnishings and worked with significant designers; they had in-house upholsterers and cabinetmakers and employed decorative techniques such as “japanning” in their designs.

Gillows of Lancaster and London became Gillow & Co. in 1813 after selling to Redmayne, Whiteside and Ferguson. The company continued to thrive throughout the Georgian era and into the Victorian period, a time that yielded well-known collaborations with Scottish architect and designer Bruce Talbert on a regular basis. High-brow clients of the manufacturer clamored for their inventive and functional designs for tables and writing desks, many of which incorporated whimsical elements such as secret and pop-up drawers. There was also demand for earlier Gillow designs such as Baroque and Gothic Revival pieces as well as adaptations of Chippendale works.

Despite their success, Gillow & Co. entered into financial hardship during the late 1800s with the advent of mass-produced furniture. By 1903, they merged with Waring of Liverpool to become Waring and Gillows and, in 1980, were taken over by Maple & Co. to become Maple, Waring and Gillow. Today, many Gillows of Lancaster and London pieces are in museums throughout the United Kingdom, New Zealand and Australia.

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