Franco Albini Table TL30 Production Poggi

Coppia di pouf Riviera di Franco Albini Italia 1960 , sono in vimini e bambù , in ottimo stato di conservazione. Possono avere la doppia funzione sia come sedute che come due tavolin...

The dinner table by Gianfranco Frattini from Gavina Italy 1970s. Tavolo in acciaio di Gianfranco Frattini per Gavina. La linea della base...

Gio Ponti style round table with three legs Italy Mid-Century Modern. The round table in the style of Gio Ponti, the design with only three legs is great the motif that is created i...

Tangram set table by Massimo Morozzi from Cassina, Italy, 1980s. This Eight unusual dining table is an example of art furniture that predates the coinage of that expression. A play full reminder of the icluseveness and innovation charecteristic of Italian design in the 1980s, it is the work of Massimo Morozzi, formerly a partner in Archizoonm, the influetial 1960s design colllective. The designer by M. Morozzi in the early 1980s for Cassina was manufcur in tiny numbers is based on the Tangram an ancient sever Chinese Puzzle...

Set of 3 Low Tables of hexagonal shape. Coffee Table. Italian Work 1960 . Light green hexagonal formica top with metal legs .

Magnetic table lamp Italia 1960

Model TL30 marble table designed by Franco Albini for Poggi, Pavia. Made in Italy circa 1950s. Reference: G. Gramigna, "Repertorio del design italiano 1950-2000", p. 53, Allemandi, ...

Round table model TL30 with black lacquered metal base and a wooden top. Designed by Franco Albini for Poggi, Pavia in 1950s.   After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Wooden dining table TL22 model by Franco Albini for Poggi 60s. Born in Milan in 1905, Franco Albini is an Italian architect, urban planner and furniture designer, active between the 1930s and 1960s. He studied at the Milan Polytechnic and completed his apprenticeship under the guidance of the architect and designer Gio Ponti, and played a key role in the formulation of the Italian Rationalist movement in the years before the Second World War. Albini works with several well-known mid-century manufacturers, among which Cassina, Arflex, Poggi, Arteluce, Brionvega, and Knoll stand out, and many of his designs are still in production today. He has received many honors for his work, including three Compasso d'Oro. The professional story of the furniture maker Roberto Poggi...

A dining table or desk Model TL2 by Franco Albini, better known as "Cavalletto", is an iconic piece designed by the esteemed Italian maestro in the 1950s. This table embodies the ess...

Franco Albini model TL2 desk or dining table for Poggi, Italy, 1950s Franco Albini for Poggi, dining table model TL2, walnut and metal, Italy, 1951. The TL2 table by Franco Alb...

Iconic table designed by the great Italian maestro Franco Albini in the 50s. The model is TL2 better known as "Cavalletto" (in english "Trestle") since it reminds of lightness and wi...