19th Century English Walnut with Marquetry Center Table

A Remarkable Late Georgian Circular Table Of a size most unusual in circular tables, constructed in various specimen woods on a San Domingo ma...

Constructed in walnut; rising from a quadripartite base, the cabriole and hipped legs with scrolled toes, and a central carved oblate pendant finial; the tapering and turned column, ...

Constructed in Cuban mahogany, with holly and bois Clair inlays; the circular tilt top having radially laid flame Mahogany veneers of magnificent figuring and colour, with a ‘starbur...

An Exhibition-Quality Burr Walnut and Marquetry Centre Table Designed by Richard Bridgens (1785-1846) The circular top characterised by a central quarter-veneered field of beauti...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A burr yew, marquetry and gilt brass-mounted Kidney shaped table Attributed to Gillow & Co The top inlaid with a border of strapwork, husks and paterae within multiple bands of m...

For sale is a fine exhibition quality English Victorian burr walnut and marquetry circular breakfast table. The top profusely inlaid...

English, rosewood lune / center hall table on quad base with foliate carving to the legs and scroll feet. The foliate and scroll carvings at the base of the column are exquisite.

Exceptional and important singed 19th century signed Irish rosewood center table with polychrome floral marquetry inlay. Beautifully carved pedestal base...

This fine English mahogany tilt-top center table is signed and dated “T.O. Beeman, 1849,” on the underside. The surface, of almost square section, has gorgeous book-matched mahogany ...

The round top with two outer bands and edge with checked string inlays. A large elaborate parquetry star shaped in the center with outer triangular inlaid band. Raised on a turned ba...

English center table, early Victorian era, magnificent in form and quality of inlays on the top, not least the central block, finely carved and punched. In walnut briar wood on the t...