Animal Skin Dining Room Tables

Very rare Aldo Tura goatskin or parchment dining table. The striking red colour is a real eye catcher Dining tables from Aldo Tura are very rare to find. Good condition, with no...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

Raw Cabinet by Atelier V&F Limited Edition Of 8+2AP Pieces. Dimensions: D 55.5 x W 100 x H 190 cm. Materials: Goatskin offcuts and suede. Inspired by the earth goddess Gaia,「Revelat...

Vintage Organic Modern Bamboo and Leather with Glass Top Dining Table by McGuire The Vintage Organic Modern Bamboo and Leather with Glass Top Hexagonal Dining Table by McGuire exemp...

Dining or conference table, walnut, cognac leather, Italy, 1960s This furniture piece's versatility is due to its substantial size, making it an optimal option for various functions...

For your consideration, Sensational lacquered goatskin wrapped dining table in caramel brown. Sheer Elegance. Intimate dining, circular form on thick legs. No extension leaves. Unmar...

Large and rare bespoke dining table made in the California coastal organic modern style by McGuire, San Francisco. The table features double pedestal supports with a large rectangula...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite, super collectable Hermes Paris, Guido Faleschini Designed for Mariani circa 1970'...

This statement midcentury round table boasts a sleek, cylindrical, chrome-plated base that exudes a strong sense of modernity and sophistication. The flat surfaces of the table are d...

Vintage French black dining table featuring leather, metal, bronze, glass, and lacquer. Mosais by Jean-Louis Berthet.

Havana leather dining table, France, c. 1960-70 Measures: H 29.5 D: 52 W: 52 in.   

Mid-Century Modern lacquered parchment square dining table or card table. High quality thick lacquer finish over real parchment.

Dining table with structure in polished stainless steel with black glass top. Legs covered with capitonated black genuine leather (Cat C). Available in: L201,2xD112,2xH76,3cm, price...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha marble dining table pays homage to Antónia Adelaide Ferreira, a vi...

COD-1026 Table with four tapered legs and cloverleaf top veneered in walnut with parchment profile. Italian manufacture, ca. 1950.

We are delighted to offer for sale this exquisite, extra large, Flamed Mahogany with hand dyed green Leather top, Extending Library or Dining table A very good looking and well m...

Brutalist so called Guaruja round pedestal table designed by Jorge Zalszupin and manufactured by his own company l’Atelier, Brazil 1959. This stunning large dining table has a rosewo...

For your consideration, a Karl Springer Ltd 1980 cream lacquered goatskin knife edge dining table. Dramatic double pedestal base. Dimensions: 28.75 H 47.25 D x 94.5 L inches Maker l...

MISE EN SCÈNE. Designed in England. Made in France. *Our items are customisable in finish and size. Made to order pieces. Each piece is numbered, signed and comes with a certificat...

Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. Throughout his designs the use of pure materials and honest natural processes are paramount. The...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Vladimir Kagan Zebrawood Extending Pedestal Dining Table, 1970s, with two leaves, the zebrawood rectangular top inset in tan leather wrapped border, the central pedestal wrapped in t...

1950's Stitched leather small diner table, or writing table by Jacques Adnet Cow leather and tainted pearwood

Danish flip-top table, c.1960s. This square table features a flip top that allows it to serve as a cafe/dining table or game table. The table features a rosewood frame and table top....

We are delighted to offer for sale this sublime circa 1880 refectory Library Dining table with tapered legs and hand dyed Regency green leather top. This table is simply stunning ...

Handsome bamboo rattan rectangular dining table made in the California organic modern style by McGuire. Genuine McGuire model #MCBA22 with an iron frame painted golden gate orange...

Travertine and Leather Single Pedestal Glass Top Italian Mid Century Modern Rectangle Dining Table MINT!

Fabulous 1970s vintage mid-century modern Milo Baughman style rectangular clear tempered glass and polished chromed steel Parsons style dining table by Tri-Mark Designs. Features fou...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Modern Designer Shagreen Pedestal Dining Table

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

Ron Seff Goat Skin Lucite base versatile extra-large expandable dining/conference table, when closed 72" with two leave 20"each when fully opened 112" in exceptional condition bevel...

A beautiful table design by the iconic Karl Springer, made of goat skin, please check the pictures, it has some wearing, totally normal, the color and patina is allot nicer in person.

his is for an ultra-rare model PK40 dining table one of the last designs by the hand of Poul Kjaerholm and manufactured by Ejvind Kold Christensen, Denmark 1979. The PK40 is a unique version of Poul Kjærholm’s square conference table...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

The "Guarujá" dining table, conceived by Jorge Zalszupin, stands as a resplendent testament to the mastery of Brazilian design. Drawing inspiration from the serene beauty of its namesake - Guarujá, a renowned Brazilian beach...

Rare dining table designed by Elias Svedberg. Produced by Nordiska Kompaniet (NK) in Sweden.

Conference table, Carrara marble, walnut, iron, Italy, 1970s.  This captivating oval table from Italy serves as an ideal choice for either a conference or a dining setting. It achie...

Axis round table by Dovain Studio Dimensions: H 79 x Ø 120 cm Materials: Estremoz white marble, Eco leather Dovain Studio Creative direction by Sergio...

Fine and rare set of 6x Pk9 chairs by Poul Kjaerholm for Fritz Hansen. The set comes from its 1st owner who purchased the chairs in Milano in the 90s. One of the finest dining chair...

Exceptional dining table designed by Kai Winding in 1960's for Slagelse Möbelvaerk, Denmark. Hardwood with brass and leather fittings with two...

Vintage McGuire California Circular Glass & Bamboo Dining Table, USA, circa 1970 Circular glass top dining table constructed in iconic McGuire California leather wrapped bamboo. Exc...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of for...

Fixed oval top. The base can be covered in eco-leather, eco-nabuk, real leather or real nabuk. The top is enriched by sunburst inlays in essence of Canaletto Walnut wood. This piece ...

One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret. Original vintage wicker covered...

Zest Dining Table The Zest outdoor dining table merges elegance and modernity through its minimalist design and the use of sophisticated, premium materials. It features a marble top...

in the style of Aldo Tura lacquered parchment center or dining table. Top in glass with mirror panel. Wear of age and use on the mirror a...

Extendable Table – Mplace Collection: Mplace Context: Dining Room Type: Table The Mplace extendable table combines clean, harmonious lines with premi...

We are delighted to offer for sale this exquisite, hand dyed brown leather extending dining or library table Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking and well made library or dining table, it sits very nicely as a medium sized round table...

Genuine McGuire bamboo rattan dining table base, for use with a round glass tabletop. This organic modern table base, from a design by John M...

This elegant table combines refined materials with a minimalist form, featuring a rich leather-clad tabletop set atop sleek metal legs. The surface is upholstered in a warm, textured...

Contemporary leather round dining table - Scala by Stephane Parmentier for Giobagnara. The object presented in the image h...

Inspired by the earth goddess Gaia, "Revelation of Gaia" aims to explore the mighty but soft inner power and to praise the mysterious nature. With this collection we try to break the...

Substantial dining table having two decorative cast iron pedestal bases, which support a large rectangular top, of wood frame, with a leather ...

Mid-Century Modern Guanabara table by Jorge Zalszupin, Brazil, 1960s The iconic Guanabara is a table designed by Jorge Zalszupin and produced by his c...

An oval, vintage Mid-Century modern Italian extendable dining room table made of hand crafted polished, partly veneered Sapelewood, ...

Genuine McGuire organic modern round dining table featuring a hexagonal shaped base. The iron base is painted golden gate orange for authenticity and then covered with bamboo poles l...