Late 20th Century Dining Room Tables

Black Lacquered Resin Table by Ado Chale, Belgium

Pierre Chapo's work and craftsmanship is celebrated for his precision, architectural skill, and natural aesthetic. Chapo’s creations are deeply rooted in his profound understanding o...

Originally designed in 1928 by the legendary trio Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, this LC6 dining table is a 1980 production by Cassina, the exclusive authorized manufacturer of Le Corbusier’s furniture designs. With its sleek glass top and industrial black enameled steel base, the LC6 reflects the machine-age aesthetics and rational functionality that defined modernist architecture and design. The frame, inspired by airplane fuselages...

Post modern beech and white laminate drop leaf dining Table. Great small dining table that can fold up and be placed to the side. Table seats 4 chairs/people. In great vintage condit...

Alfred Hendrickx Dining room table in rosewood and rosewood veneer, circa 1970. Belform Edition Dimensions with one leaf: 75 x 210 x 90 cm.

Midcentury post Modern Design rectangular rounded corners white fiberglass dining table. white fiberglass over wood table top on round chrome double pedestal base with adjustable fee...

Italian round smoked glass and chromed steel dining table, 1970s Elegant and modern round dining table with smoked glass top and massive chromed ste...

A gorgeous Queen Anne style petite extension dining table or game table By Kindel Furniture USA, circa 1980s Beautiful book-matched mahogany top, with carved solid mahogany ...

An amazing dining table designed by Romeo Rega made out of steel, brass and glass top. This table's structure plays with geometric lines, creatin...

A gorgeous Georgian or Regency style double pedestal extension dining table By Kittinger USA, Circa 1980s Beautiful book-matched mahogany with yew wood banding, carved solid mahog...

Unusual travertine dining table with a reeded base. Beautifully shaped table top. 1970s - Italy Dimensions: Height: 73cm/28.74" Width: 130cm/51.18" Depth: 130cm/51.18" Ref: 864531

Superstudio, dining table 'Teso', glass, lacquered ash, steel, Italy 1970s A remarkable table designed by the Italian architecture and design group Superstudio, established in 1966 by Adolfo Natalini and Cristiano Toraldo di Francia...

Guillerme and Chambron, oak table, Edition Votre Maison circa 1970 Dimensions avec allonges : 73x120x157 cm Votre maison : a style, a concept, a mindset. The Votre Maison story begins in 1940 in Prussia, near the Mazaurien Lake. A stalag, a wooden camp... Gathered by the absurd consequences of war, men from different universes are here. Among them, Jacques Chambron and Robert Guillerme struggle daily to preserve what matters most to them : human dignity. The war is endless. To bear the present they design a project for future. Winter 1944 : the war comes to an end. With other companions in exile, Chambron and Guillerme escape and cross the Nazi line, and join the port of Odessa, the Bosphore and Marseille in France. It is now 1946 and war –torn France is a land of severe restrictions in need of reconstruction. Both men return to their original occupations. Guillerme with a 1934 major from “Ecole Boule” moves back to Lille to design furniture for Atelier Rogie. Chambron, who holds an art degree, returns to his studio in Paris to paint. Because of time and distance contact is limited between them. In 1948 Jacques Chambron and his family move to Lille and the initial project begins to take shape. Chambron and Guillerme meet Emile Dariosecq, a furniture manufacturer, and in 1949 the company Votre Maison sees the light. Guillerme designs the furniture, Chambron markets it and Dariosecq manufactures it. Together they define a new style and impose a new concept. The originality of their collaroration reflects on the furniture. Quickly the style Votre Maison is defined as quality furniture that is easy to leave with. Guillerme designs chests, sideboards, chairs, sofas, lighting, all complementing one another and manufactured in limited editions. Wood, leather, ceramic and fabric, all design are sincere and authentic. Chambron plays an important part in making the public accept this new furniture and convinces them to move away from the common place. Distribution of the furniture is done primarily through the company itself, on some occasions by architects and interior designers. In the early seventies, Hervé Chambron, Jacques'son, joins the Votre Maison company. Also a graduate from Ecole Boule, he becomes Robert Guillerme's assistant and creates his own designs from 1983, bthe year when Jacques Chambron and Robert Guillerme retire. Today, the designs of Robert Guillerme are referred to as “French wood furniture...

An exceptional Neoclassical or Empire style split pedestal extension dining table By Baker Furniture, "Palladian Collection" USA, Circa 1980s Book-matched cherry wood, with eboniz...

Round dining table with extension in solid pine from the 1970s. Made with a three-legged frame and natural surface. The table comes with two extension leaves that provide extra space...

Stunning 1980s mahogany dining table with two leaves in the style of Karl Springer made in Colombia by Jimeco Ltda, this piece was purchased in an ant...

Modular puzzle dining table. Designed by Richard Nissen for Nissen furniture Denmark. The table was produced in 1978. The table has 6 legs. The legs are designed in an L shape. They ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A large vintage dining table or conference table that was studio made in the early 1970s. It features a sculptural solid driftwood base with large glass top.

An exceptional Georgian or Regency style double pedestal extension dining table By Henkel Harris USA, 1972 Gorgeous solid mahogany, with carved pedestals and brass-capped paw feet...

Stunning Green Marble dining table ,comes with a Black Cast Iron base . Chrome tube upright. Nice thin round Marble top .

Very fine Pace Collection dining table featuring a 3/4" glass table top with four polished lucite legs, and Pace signature polished steel caps. A wonderful size at 68" X 42" will com...

A remarkable Carved Trunk Wood Dining Table, meticulously carved from a single section of tree by a skilled artisan over the course of twelve months. This exquisite piece exudes a ri...

Beautiful, mid-century dining table. Produced in Czechoslovakia. The table stands on a strong oak base with unique features - legs and designed details. The top board is with mahogan...

Ferdinando Meccani Square Blonde Wood Dining Table, Italy, 1970's A hand-crafted highly unique dining table or center table with great geometr...

This is a Segmented Conference Dining Table, Model ET187, initially designed by Ray and Charles Eames for Herman Miller in 1964. These pieces date to the year 1997. They feature a re...

Dining table and 6 chairs by Marc Held for IBM, 1983 Rare furniture designed by Marc Held for the refectory of the IBM house in Montpellier/La Lande. Composed of 6 chairs that can be nested on a table with a satin white melamine top, this set was created for IBM by one of the five designers who, in 1983, refurbished the private flats of the President of the Republic at the Elysée Palace. The table has a beech and black lacquered steel frame, a white melamine top and solid beech edges and has 6 places to hang the 6 chairs. The chairs are made of thermo-moulded laminate with spruce and maple veneer, compass base in beech, a metal half-ring under...

An exceptional Georgian or Regency style solid cherry wood double pedestal extension dining table By Henkel Harris USA, 1994 Measures: 66.25"W x 44"D x 30.25"H. Extends up to to 1...

c. 1970s. Italy. Red plastic construction with square design. Could be used as a game table or card table as well.

This is an undulating White Marble Dining Table, designed by Massimo and Lella Vignelli for Casigliani in 1992. The table was acquired from Luminaire, and it was part of a limited se...

Granite, Stainless Steel and Glass Dining Table, Brueton Atrributed Offered for sale is a large round glass dining table with a granite and stainless steel base that is attributed ...

Christian Adam, Formes Nouvelles edition. Naila dining table with a single-piece lacquered fiberglass frame. Italian work, circa 1971. The top is free-form, like a flower petal. The...

An outstanding and rare example of Angelo Mangiarotti’s architectural design language, this ‘M1’ dining table was produced by Skipper in Italy during the 1970s. Known for his mastery...

Atelier C. Demoyen, extendable dining table, solid elm, France, 1970s Dining table by Atelier C. Demoyen in stunning solid elm wood. The table exhibits a refined design that is both...

Pierre Chapo, dining table, model Aban 'T35D', solid elm, France, circa 1972 This table is one of the early editions designed by Pierre Chapo, known for his hallmark use of solid e...

Mid Century Danish Rosewood Gate Leg Dining Table The expanded table measures: 65 wide x 30 deep x 30.25 inches high, with a chair clearance of 29.5 inches, when not expanded the wi...

Der Propeller-Tisch wurde von L. Campanini für Cama in Italien entworfen. Es verfügt über einen verchromten Stahlfuß, der auf zwei Höhen (46 oder 68 cm (variabel einstellbar)) einges...

This is an Eames Universal Dining Table, Model ET206, originally designed by Ray and Charles Eames in 1961. This particular example was produced by Herman Miller in the USA C. 1971. ...

Dining table designed by José Zanine Caldas in 1970s. The original glass top and Brazilian solid hard wood legs. This individual was exhibited at the exhibition "Viva Zanine Brasil...

Incredible vintage MCM (Mid-Century Modern) Eames for Herman Miller racetrack oval conference or dining table with a black universal segmented base and a light blonde laminate top wi...

American Studio craft solid beautiful Hardwood & walnut dining table style of Wharton Esherick with 4 carved legs. Curved organic table design made in the style of Wharton Esherick. ...

Stunning 1970's Pinnacle dining table designed by J Wade Beam for Breuton The highly polished Steel and glass base support the 60" diameter glass...

Ron Seff "Louis XVI" bronze dining table with round gunmetal finish, polished brass details, and lacquered linen top.

wonderful vintage drop leaf dining table with a detailed carved legs. It can be arranged for easy storage. Acquired at a Palm Beach est...

A nice blend of Neoclassical, Directoire and Farmhouse styling in this beautiful outdoor table. Made of iron featuring scrolled accents and pine plank top. Dimensions: 72" x 34" x 29"h

Transport yourself to the glamour of the 1970s with our captivating dining table(s), This piece a homage to the iconic designs of an Italian designer whose pieces easily sell for 100...

Dining pedestal table composed of a 4-legged central base made of oak and a cream marble top, Italy, 1950s. Every item LA Studio offers is checked by our team of 10 craftsmen in our...

This is a large square dining table, designed by Richard Schultz for his 1966 series for Knoll (this one likely produced for Richard Schultz Design...

Barbara Barry Style Mahogany Dining Table This dining table measures: 85.75 wide x 46 deep x 30 inches high, with a chair clearance of 27 inches We take our photos in a controlled ...

Grand Scale Painted & Gilt-wood Two Pedestal Dining Table with 2 leaves. Table mounted on 2 bases. Built in table clips. Yes Also available separately , shown with a set of 17...

Eagle dining table by A. Chervet, circa 1970, in brass and steel in good condition. Signed by the artist.

This is a 1966 Collection Outdoor Dining Table, originally designed by Richard Schultz for Knoll in 1966. This particular example dates to the 1970s. The table is constructed of cast...

Command attention with this extraordinary Vintage Maitland Smith Tessellated Octagon Dining Table, a magnificent embodiment of opulent design and exquisite artisan craftsmanship. Thi...

For your consideration, a Karl Springer Ltd 1980 cream lacquered goatskin knife edge dining table. Dramatic double pedestal base. Dimensions: 28.75 H 47.25 D x 94.5 L inches Maker l...

A commanding presence in any space, this rare 8-foot oval dining table*by esteemed French designer François Champsaur is a triumph of expressive form and elevated simplicity. Crafted...

An exceptional Georgian or Regency style double pedestal extension dining table By Stickley USA, Late 20th Century Beautiful solid mahogan...

Osvaldo Borsani for Stow Davis Mid Century Dining Table This dining table measures: 48 wide x 48 deep x 28.25 inches high, with a chair clearance of 26.75 inches All pieces of furn...

A large Lucite Dinkng table base by Gary Gutterman.

Table base or console table in wood covered with steel and chrome. Brazilian work by J.D Moveis e Decoraçoes LTD, dated 1981 (Editor's label under the base) missing the glass top.

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...